The Exhibition Speaker: Containing Farces, Dialogues, and Tableaux : with Exercises for Declamation in Prose and Verse, Also a Treatise on Oratory and Elocution, Hints on Dramatic Characters, Costumes, Position on the Stage, Making Up, Etc., Etc. : with Illustrations |
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Page 51
... back some ten feet , and we shall have a straight line . Dor . ( interrupting him . ) Sir , sir , might I take the lib- erty of inquiring what you're about with that house ? Sponge . A thousand pardons , sir ; I had A RACE FOR A DINNER .
... back some ten feet , and we shall have a straight line . Dor . ( interrupting him . ) Sir , sir , might I take the lib- erty of inquiring what you're about with that house ? Sponge . A thousand pardons , sir ; I had A RACE FOR A DINNER .
Page 98
... straight forgotten . ( Casting down his bundle and stick L. ) Rens . So it seems you've left the farm . Carl . Yes , Mr. Soldier ; I'm no longer a plow - jogger – I'm an officer . Rens . An officer ! Carl . Civil , Mr. Soldier - a civil ...
... straight forgotten . ( Casting down his bundle and stick L. ) Rens . So it seems you've left the farm . Carl . Yes , Mr. Soldier ; I'm no longer a plow - jogger – I'm an officer . Rens . An officer ! Carl . Civil , Mr. Soldier - a civil ...
Page 108
... straight road , by promising to make me a great man ; but I never stopped loving you , and I always will love you , and I'll marry you as soon as you like . Your loving cousin , and ex- pected husband , that is to be , Carlitz ...
... straight road , by promising to make me a great man ; but I never stopped loving you , and I always will love you , and I'll marry you as soon as you like . Your loving cousin , and ex- pected husband , that is to be , Carlitz ...
Page 225
... straight , and the toes turned out , but not to an excess ; for then they look equally as awkward and ungainly as when they are turned in . In the slow walk or march , the foot should be advanced , keeping the knee and instep straight ...
... straight , and the toes turned out , but not to an excess ; for then they look equally as awkward and ungainly as when they are turned in . In the slow walk or march , the foot should be advanced , keeping the knee and instep straight ...
Page 229
... straight ; the leap being always taken from the side of the stand toward which the heads of the pegs are turned , if the gymnast's feet should happen to touch the cord , it is , of course , pushed off , and falls immediately . The high ...
... straight ; the leap being always taken from the side of the stand toward which the heads of the pegs are turned , if the gymnast's feet should happen to touch the cord , it is , of course , pushed off , and falls immediately . The high ...
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Common terms and phrases
Arithmetic ARITHMETICAL SERIES arms straight backboard exercise bathing machines body Bouncer CALISTHENICS Carl Carlitz cents Chris Christine close club commencing position cord Coun Curtain Dalton Dame DAVID PATTERSON dear dinner direction round Doric elbows Ellen Enter Exit feel feet fingers Flying Steps fore friends front George GEORGE CROLY gesture give gradually Greece ground gymnastic hanging happy head erect heart heels hold honor Huon inches John keep knees leap left foot look Margate Marinella Measureton motions move movement never palms pause performed placed pole posi pupil raised Rens Renslaus right foot rope Schools shoulders side sizar speak speaker Sponge stage Stoddard's straight arm stretch TABLEAU TABLEAUX VIVANTS teacher thee thing thou thumbs tion toes turned voice waiter walk weight Wideacre word marked word steady Zounds
Popular passages
Page 136 - ... twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure.
Page 136 - And let those that play your clowns, speak no more than is set down for them : for there be of them, that will themselves laugh, to set on some quantity of barren spectators to laugh too ; though, in the mean time, some necessary question of the play be then to be considered: that's villainous; and . shows a most pitiful ambition in the fool that uses it.
Page 216 - Persians' grave, I could not deem myself a slave. A king sate on the rocky brow Which looks o'er sea-born Salamis ; And ships, by thousands, lay below, And men in nations ; — all were his ! He counted them at break of day — And when the sun set where were they ? And where are they?
Page 135 - Nor do not saw the air too much with your hand, thus ; but use all gently ; for in the very torrent, tempest, and, as I may say, whirlwind of your passion, you must acquire and beget a temperance that may give it smoothness.
Page 133 - May sweep to my revenge. Ghost. I find thee apt ; And duller shouldst thou be than the fat weed That roots itself in ease on Lethe wharf, Wouldst thou not stir in this.
Page 166 - t. It breaks my chain. I held some slack allegiance till this hour; But now my sword's my own. Smile on, my lords ! I scorn to count what feelings, withered hopes. Strong provocations, bitter, burning wrongs, I have within my heart's hot cells shut up, To leave you in your lazy dignities.
Page 217 - You have the Pyrrhic dance as yet, Where is the Pyrrhic phalanx gone? Of two such lessons, why forget The nobler and the manlier one?
Page 216 - Islands of the Blest'. The mountains look on Marathon, And Marathon looks on the sea. And musing there an hour alone, I dreamed that Greece might still be free, For standing on the Persians' grave, I could not deem myself a slave.
Page 217 - Must we but blush? Our fathers bled. Earth ! render back from out thy breast A remnant of our Spartan dead ! Of the three hundred grant but three, To make a new Thermopylae ! What, silent still?
Page 191 - It is to that Union we owe our safety at home and our consideration and dignity abroad. It is to that Union that we are chiefly indebted for whatever makes us most proud of our country. That Union we reached only by the discipline of our virtues in the severe school of adversity. It had its origin in the necessities of disordered finance, prostrate commerce, and ruined credit.