The Playhouse and the Play: And Other Addresses Concerning the Theatre and Democracy in America |
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Page 48
... limiting influence of theatrical production upon dramatic tech- nique , —for the limiting influence of the play- house , in its first aspect as a complex instru- ment of art , upon the play . We come now to a far more important limiting ...
... limiting influence of theatrical production upon dramatic tech- nique , —for the limiting influence of the play- house , in its first aspect as a complex instru- ment of art , upon the play . We come now to a far more important limiting ...
Page 56
... limiting constructive demands of stagecraft , the dramatist must also meet the limiting ( usually ) destructive demands of theatrical business , in order to write a so - called " practical " play ; that is , a play likely to be produced ...
... limiting constructive demands of stagecraft , the dramatist must also meet the limiting ( usually ) destructive demands of theatrical business , in order to write a so - called " practical " play ; that is , a play likely to be produced ...
Page 71
... limiting influence of the playhouse : one which , though less specific than the other two , is all - important ; namely , the limiting influence of the status of the playhouse in the community upon the whole of dramatic art . The first ...
... limiting influence of the playhouse : one which , though less specific than the other two , is all - important ; namely , the limiting influence of the status of the playhouse in the community upon the whole of dramatic art . The first ...
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Common terms and phrases
according actors adapted already American answer appeal artists beautiful become believe better cause citizens civic concerned considered Continental course create critical demand democracy desire discussion drama dramatic art dramatist elements endowment enlightened established excellence existing experts expression fact forces function hand hope human idea ideal ignore imagination important individuals influence institution intelligent interests interpretation issue leaders leading least less limiting literature manager masters means ment MICHIGAN millions mind native nature needs never object once organized perform permanent play playhouse popular possible potential practical present production profession promise public opinion questions realize reason reform responsible result scope seek sense society spirit stage standards status success supply taste theatre theatrical theatrical business things tion to-day tradition true universities vital vocation write York