The Playhouse and the Play: And Other Addresses Concerning the Theatre and Democracy in America |
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Page 24
... critical and creative . In at least four of our largest universities , I met with groups of young men , banded to- gether by a common ardor and a special capacity for the purpose of studying and mas- tering the technique of plays . The ...
... critical and creative . In at least four of our largest universities , I met with groups of young men , banded to- gether by a common ardor and a special capacity for the purpose of studying and mas- tering the technique of plays . The ...
Page 40
... critical selection and exhibition of plays composed ? In America , committees for the critical selec- tion and exhibition of works in painting are composed of expert painters , such as John Alexander , Edwin Blashfield , Kenyon Cox ...
... critical selection and exhibition of plays composed ? In America , committees for the critical selec- tion and exhibition of works in painting are composed of expert painters , such as John Alexander , Edwin Blashfield , Kenyon Cox ...
Page 99
... critical as the dramatic master for us in Amer- ica to - day , let us not be first moved to acquies- cence by the profound art , the human daring , and the honorable achievement of the great Norwegian , but let us first ask ourselves ...
... critical as the dramatic master for us in Amer- ica to - day , let us not be first moved to acquies- cence by the profound art , the human daring , and the honorable achievement of the great Norwegian , but let us first ask ourselves ...
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Common terms and phrases
according actors adapted already American answer appeal artists beautiful become believe better cause citizens civic concerned considered Continental course create critical demand democracy desire discussion drama dramatic art dramatist elements endowment enlightened established excellence existing experts expression fact forces function hand hope human idea ideal ignore imagination important individuals influence institution intelligent interests interpretation issue leaders leading least less limiting literature manager masters means ment MICHIGAN millions mind native nature needs never object once organized perform permanent play playhouse popular possible potential practical present production profession promise public opinion questions realize reason reform responsible result scope seek sense society spirit stage standards status success supply taste theatre theatrical theatrical business things tion to-day tradition true universities vital vocation write York