 | William Howland Kenney - Music - 1999 - 288 pages
...Autry to learn about ASCAP and secure membership. As this book was going to press, advertisements for Richard A. Peterson, Creating Country Music: Fabricating...Authenticity (Chicago: University of Chicago Press, 1997), began to appear. I would like to thank Sara Leopold of the University of Chicago Press for sending... | |
 | Richard Shusterman - Art - 2000 - 292 pages
...Atlantic Quarterly 94 (1995): 4. For more on the institutionalization of country music, see Richard Peterson, Creating Country Music: Fabricating Authenticity (Chicago: University of Chicago Press, 1997). 3. See, for example, RA Peterson and RB Davis, "The Contemporary American Radio Audience," Popular... | |
 | Pamela Robertson Wojcik, Arthur Knight - Music - 2001 - 512 pages
...Narratives of Loss and Desire in the Discourse of Country Music," Popular Music 11.1 (1992): 5372; Richard A. Peterson, Creating Country Music: Fabricating...Authenticity (Chicago: University of Chicago Press, 1997); David Sanjek, "Blue Moon of Kentucky Rising over the Mystery Train: The Complex Construction of Country... | |
 | Barbara Ching - Music - 2001 - 200 pages
...1978l, 96. 9. George Bush, "My Country and Western 'tis of Thee," in Forbes, May 9, 1994, S81. 10. Richard A. Peterson, Creating Country Music: Fabricating...Authenticity (Chicago: University of Chicago Press, 1997l, 150-56. l "Country 'til I die" 1. For an excellent account of this development, see Joli Jensen,... | |
 | Nabeel Zuberi - Music - 2001 - 296 pages
...Keith Negus, Producing Pop (London: Edward Arnold, 1992), 73. 28. Negus, Producing Pop, 72-73. 29. Richard A. Peterson, Creating Country Music: Fabricating Authenticity (Chicago: University of Chicago, 1997), 6. 30. Martin Stokes, "Introduction: Ethnicity, Identity and Music," in Ethnicity, Identity... | |
 | Peter Stanfield - Biography & Autobiography - 2002 - 196 pages
...Carson, His Real World, and the World of His Songs (Urbana: University of Illinois Press, 1987). 2 i . Richard A. Peterson, Creating Country Music: Fabricating...Authenticity (Chicago: University of Chicago Press, 1997), 33. 22. Robert Cantwell, Bluegrass Breakdown: The Making of the Old Southern Sound (New York: Da Capo,... | |
 | Vron Ware, Les Back - Social Science - 2002 - 338 pages
...and Ohio dance instructors to his plant to learn old-time steps that they in turn could pass on. See Richard A. Peterson, Creating Country Music: Fabricating...Authenticity (Chicago: University of Chicago Press, 1997), pp. 59-62. In 1926 the Dearborn Independent published a series of articles entitled "A Dance a Week"... | |
 | Roger Beebe, Denise Fulbrook, Ben Saunders - Music - 2002 - 404 pages
..."Keeping Faith: Evangelical Performance in Country Music," South Atlantic Quarterly 94 [1995]: 140; Peterson, Creating Country Music: Fabricating Authenticity [Chicago: University of Chicago Press, 1997] or, for a shorter account, his "The Production of Cultural Change: The Case of Contemporary Country... | |
 | Louis M. Kyriakoudes - Social Science - 2003 - 252 pages
...Country Music Culture: From Hard Times to Heaven (Jackson: University Press of Mississippi, 1995), 3, 10; Richard A. Peterson, Creating Country Music: Fabricating...Authenticity (Chicago: University of Chicago Press, 1997), 99. Peterson reports that there is no evidence that any of the many radio barn dance programs that... | |
 | Jeffrey J. Lange - Music - 2004 - 340 pages
...Bluegrass Breakdown: The Making of the Old Southern Sound (Urbana: University of Illinois Press, 1984), 74. 14. Richard A. Peterson, Creating Country Music: Fabricating...Authenticity (Chicago: University of Chicago Press, 1997), 220. 15. Roy Acuff quoted in Russell B. Nye, The Unembarrassed Muse: The Popular Arts in America (New... | |
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Richard A. Peterson, Creating Country Music: Fabricating Authenticity (Chicago: University of Chicago Press, 1997), 55. 
