PS A62 1926 COPYRIGHT, 1926, BY HARCOURT, BRACE AND COMPANY, INC. COPYRIGHT, 1925, 1926, BY THE PICTORIAL REVIEW COMPANY, PRINTED IN THE UNITED STATES OF AMERICA PREFACE For thirty years and more I have planned to make a certain portrait of Abraham Lincoln. It would sketch the country lawyer and prairie politician who was intimate with the settlers of the Knox County neighborhood where I grew up as a boy, and where I heard the talk of men and women who had eaten with Lincoln, given him a bed overnight, heard his jokes and lingo, remembered his silences and his mobile face. The Mayor of Galesburg in 1858, Henry Sanderson, is the only individual of casual record who carried warm cistern water to a bathtub for Lincoln and saw Lincoln taking a bath. There in Galesburg Clark E. Carr, author of "The Illini," repeated Bill Green's remark about Lincoln, "He can make a cat laugh." And there Lincoln when bantered about his backwardness with women, answered, "A woman is the only thing I am afraid of that I know will not hurt me.' The folk-lore Lincoln, the maker of stories, the stalking and elusive Lincoln is a challenge for any artist. He has enough outline and lights and shadows and changing tints to call out portraits of him in his Illinois backgrounds and settings-even had he never been elected President. Perhaps poetry, art, human behavior in this country, which has need to build on its own traditions, would be served by a life of Lincoln stressing the fifty-two years previous to his Presidency. Such a book would imply that if he was what he was during those first fifty-two years of his life it was nearly inevitable that he would be what he proved to be in the last four. Then, too, the vortex in which he stood during the last four years of his life was forming in the years he was growing. The embryo of modern industrial society was taking shape. The history of transportation, of world colonization and world markets based on power-driven machinery, of international trade, finance, and standardization, weave through the destiny of Lincoln. He wore home-made moccasins as a boy, rawhide boots from a factory as a young man, and dressed calfskin shoes in still later years. A vast play of economic action, in whatever impressionistic manner, must move in the record of Lincoln. And then Lincoln from a child on was intensely companionable, keenly sensitive to the words and ways of people around him. Therefore those people, their homes, occupations, songs, proverbs, schools, churches, politics, should be set forth with the incessant suggestion of change that went always with western pioneer life. They are the backgrounds on which the Lincoln life moved, had its rise and flow, and was moulder and moulded. vii |