Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 63Gale Research Company, 1984 |
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Page 362
... production must overcome these weaknesses or somehow turn them to advantage . Although the same basic problems have confronted producers of the play in all post- Shakespearean periods , some have loomed larger at one time than at ...
... production must overcome these weaknesses or somehow turn them to advantage . Although the same basic problems have confronted producers of the play in all post- Shakespearean periods , some have loomed larger at one time than at ...
Page 364
... production at Drury Lane , using an adapted text by Benjamin Victor , introduced on 22 December 1762 - the first production of the play now known , though there had probably been one in the 1590s ; ( 2 ) John Philip Kemble's production ...
... production at Drury Lane , using an adapted text by Benjamin Victor , introduced on 22 December 1762 - the first production of the play now known , though there had probably been one in the 1590s ; ( 2 ) John Philip Kemble's production ...
Page 375
... production of the Acting Company in 1990-91 . 35. John Guare and Mel Shapiro , The Two Gentlemen of Verona . Adapted from the Shakespeare Play ... Lyrics by John Guare , Music by Galt MacDermot ( New York : Holt , Rinehart and Winston ...
... production of the Acting Company in 1990-91 . 35. John Guare and Mel Shapiro , The Two Gentlemen of Verona . Adapted from the Shakespeare Play ... Lyrics by John Guare , Music by Galt MacDermot ( New York : Holt , Rinehart and Winston ...
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action actors All's Antony Antony's audience becomes bed-trick Bertram blood Brutus Brutus's Cade Cade's Cassius ceremony characters claim comedy comic conspirators Coriolanus Countess critics death desire Diana dramatic Duke Edward Elizabethan England English Epicurean essay father female feminine French gender Gentlemen of Verona Gloucester Helena Henry Henry VI Henry's heroic honor husband irony Jack Cade Joan Joan's Julia Julius Caesar King King's Lafew language Lavatch letter London lord male Mannerist Margaret marriage masculine means moral murder nature noble oath Parolles play play's plebeians plot Plutarch political Portia problem Problem Comedies Proteus Queen reading Renaissance rhetoric Richard Richard III ritual role Roman Rome says scene seems sexual Shake Shakespeare Silvia social soliloquy speak speare speare's speech spirit stage Suffolk suggests Talbot Tamburlaine theater theatrical thee thou Thurio tion tragedy unnatural Valentine virginity virtue Warwick wife woman women words York Yorkist