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Page 126
Consequently , the play's cultural anxiety about gender difference is not dramatized in her language , as it is in the language of Shakespeare's cross - dressing comic heroines , but rather is displayed in the strategies - linguistic ...
Consequently , the play's cultural anxiety about gender difference is not dramatized in her language , as it is in the language of Shakespeare's cross - dressing comic heroines , but rather is displayed in the strategies - linguistic ...
Page 317
violence suggest that Portia is in revolt against the symbolic order , against language as a structure of power . In this sense she resembles an hysteric . Oppositional constructions of gender are of course far too deeply engrained in ...
violence suggest that Portia is in revolt against the symbolic order , against language as a structure of power . In this sense she resembles an hysteric . Oppositional constructions of gender are of course far too deeply engrained in ...
Page 318
23 Aiming as it does to express the inexpressible , tragedy's encoding of pain and death in language succeeds not simply through mimetic realism but through the creation in the reader's or viewer's mind of the represented phenomena of ...
23 Aiming as it does to express the inexpressible , tragedy's encoding of pain and death in language succeeds not simply through mimetic realism but through the creation in the reader's or viewer's mind of the represented phenomena of ...
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action All's Antony appears audience becomes begins Bertram body Brutus calls Cassius cause characters claim comedy comic Countess course critics death desire Diana dramatic Duke Edward effect Elizabethan England English fact father female final French Gentlemen give hand Helena Henry Henry VI honor interpretation Joan Julius Caesar King language later letter lines London look lord male Margaret marriage means moral murder nature never oath offer once Parolles performance play play's political position present Press problem production Proteus provides Queen question reading reason response rhetoric Richard role Roman Rome says scene seems sense serve sexual Shake Shakespeare Silvia social soliloquy speak speech spirit stage suggests things thou tion turn University Valentine virginity virtue wife woman women York young