Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 63Gale Research Company, 1984 |
From inside the book
Results 1-3 of 87
Page 170
... hand , " Be what thou wilt , thou art my prisoner " ( 1. 45 ) . ' She has clearly been protest- ing her importance . He pauses to look at her : O fairest beauty , do not fear , nor fly , For I will touch thee but with reverent hands : I ...
... hand , " Be what thou wilt , thou art my prisoner " ( 1. 45 ) . ' She has clearly been protest- ing her importance . He pauses to look at her : O fairest beauty , do not fear , nor fly , For I will touch thee but with reverent hands : I ...
Page 193
... hand , his immediate subject , if it was to be truly represented , required that style ; while on the other hand his larger subject - the divine plot in which all the disorders and episodic contentions were but steps toward a new kind ...
... hand , his immediate subject , if it was to be truly represented , required that style ; while on the other hand his larger subject - the divine plot in which all the disorders and episodic contentions were but steps toward a new kind ...
Page 221
... hand , an extremely ordinary man whose stamina in the swimming match was soon exhausted ; who , when he had a fever once in Spain , shook and groaned like a sick girl ; who even now , as we soon learn , is falling down with epilepsy in ...
... hand , an extremely ordinary man whose stamina in the swimming match was soon exhausted ; who , when he had a fever once in Spain , shook and groaned like a sick girl ; who even now , as we soon learn , is falling down with epilepsy in ...
Other editions - View all
Common terms and phrases
action actors All's Antony Antony's audience becomes bed-trick Bertram blood Brutus Brutus's Cade Cade's Cassius ceremony characters claim comedy comic conspirators Coriolanus Countess critics death desire Diana dramatic Duke Edward Elizabethan England English Epicurean essay father female feminine French gender Gentlemen of Verona Gloucester Helena Henry Henry VI Henry's heroic honor husband irony Jack Cade Joan Joan's Julia Julius Caesar King King's Lafew language Lavatch letter London lord male Mannerist Margaret marriage masculine means moral murder nature noble oath Parolles play play's plebeians plot Plutarch political Portia problem Problem Comedies Proteus Queen reading Renaissance rhetoric Richard Richard III ritual role Roman Rome says scene seems sexual Shake Shakespeare Silvia social soliloquy speak speare speare's speech spirit stage Suffolk suggests Talbot Tamburlaine theater theatrical thee thou Thurio tion tragedy unnatural Valentine virginity virtue Warwick wife woman women words York Yorkist