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Page 100
comedy ; it overcomes the death of the fathers through a bawdy emphasis on youthful sexuality and love , and it manipulates mythical plot elements that are subconsciously familiar to any audience in Western civilization .
comedy ; it overcomes the death of the fathers through a bawdy emphasis on youthful sexuality and love , and it manipulates mythical plot elements that are subconsciously familiar to any audience in Western civilization .
Page 157
Each helps the audience to see the events of the play from a perspective different from and alien to Richard's , but none can totally free the spectator from the tension of incompatible responses prompted by the grotesque comedy ...
Each helps the audience to see the events of the play from a perspective different from and alien to Richard's , but none can totally free the spectator from the tension of incompatible responses prompted by the grotesque comedy ...
Page 392
... failure of Troilus and Cressida 43 : 277 Chorus , role of Henry V 49 : 194 , 200 , 211 , 219 , 260 comedy of affectation Love's Labour's Lost 2 : 302 , 303 , 304 ; 23 : 191 , 224 , 226 , 228 , 233 compassion , theme of The Tempest ...
... failure of Troilus and Cressida 43 : 277 Chorus , role of Henry V 49 : 194 , 200 , 211 , 219 , 260 comedy of affectation Love's Labour's Lost 2 : 302 , 303 , 304 ; 23 : 191 , 224 , 226 , 228 , 233 compassion , theme of The Tempest ...
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action All's Antony appears audience becomes begins Bertram body Brutus calls Cassius cause characters claim comedy comic Countess course critics death desire Diana dramatic Duke Edward effect Elizabethan England English fact father female final French Gentlemen give hand Helena Henry Henry VI honor interpretation Joan Julius Caesar King language later letter lines London look lord male Margaret marriage means moral murder nature never oath offer once Parolles performance play play's political position present Press problem production Proteus provides Queen question reading reason response rhetoric Richard role Roman Rome says scene seems sense serve sexual Shake Shakespeare Silvia social soliloquy speak speech spirit stage suggests things thou tion turn University Valentine virginity virtue wife woman women York young
Bibliographic information
| Title | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 63 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Gale Research Company |
| Contributor | Gale Research Company |
| Publisher | Gale Research Company, 1984 |
| Original from | the University of Michigan |
| Digitized | 23 May 2008 |
| ISBN | 0787652385, 9780787652388 |
| Export Citation | BiBTeX EndNote RefMan |