Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 63Gale Research Company, 1984 |
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Page 179
... calls his pirate captors " paltry , servile , abject drudges " ( 4.1.104 ) and the indifference with which they hear and address the common people's seemingly modest petitions ( see , e.g. , 1.3 . ) , Shakespeare demonstrates that the ...
... calls his pirate captors " paltry , servile , abject drudges " ( 4.1.104 ) and the indifference with which they hear and address the common people's seemingly modest petitions ( see , e.g. , 1.3 . ) , Shakespeare demonstrates that the ...
Page 220
... call the First Folio , Shakespeare's fellow playwright Ben Jonson spoke of his colleague's works as not of an age but for all ... calls on me ? I hear a tongue shriller than all the music Cry " Caesar ! " Speak . Caesar is turned to hear ...
... call the First Folio , Shakespeare's fellow playwright Ben Jonson spoke of his colleague's works as not of an age but for all ... calls on me ? I hear a tongue shriller than all the music Cry " Caesar ! " Speak . Caesar is turned to hear ...
Page 269
... calls particular attention to the metadramatic nature of Antony's speech , albeit to a different purpose : " Instead of being a dramatic character within the play , he is here made to speak as a critical commentator upon the play ...
... calls particular attention to the metadramatic nature of Antony's speech , albeit to a different purpose : " Instead of being a dramatic character within the play , he is here made to speak as a critical commentator upon the play ...
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action actors All's Antony Antony's audience becomes bed-trick Bertram blood Brutus Brutus's Cade Cade's Cassius ceremony characters claim comedy comic conspirators Coriolanus Countess critics death desire Diana dramatic Duke Edward Elizabethan England English Epicurean essay father female feminine French gender Gentlemen of Verona Gloucester Helena Henry Henry VI Henry's heroic honor husband irony Jack Cade Joan Joan's Julia Julius Caesar King King's Lafew language Lavatch letter London lord male Mannerist Margaret marriage masculine means moral murder nature noble oath Parolles play play's plebeians plot Plutarch political Portia problem Problem Comedies Proteus Queen reading Renaissance rhetoric Richard Richard III ritual role Roman Rome says scene seems sexual Shake Shakespeare Silvia social soliloquy speak speare speare's speech spirit stage Suffolk suggests Talbot Tamburlaine theater theatrical thee thou Thurio tion tragedy unnatural Valentine virginity virtue Warwick wife woman women words York Yorkist