Shakespearean CriticismJoseph C. Tardiff Annotation Beginning with Volume 13 in the series, Shakespeare Criticism has been published as an annual selection of noteworthy contributions to Shakespearean scholarship published during the previous year. Seventeen of the essays in SC19 originally appeared as chapters in books. The 26 journal articles included are drawn from ten different periodicals. Together, these 43 essays provide current assessments of nearly three-quarters of the Shakespeare canon. Addressed to a wide audience, including advanced secondary school students, undergraduate and graduate students, and teachers. Annotation copyright by Book News, Inc., Portland, OR. |
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Results 1-3 of 43
Page 46
... rhetorical elabora- tions of the sport , mostly generated by reference to War- wick's crest of " The rampant bear chain'd to the ragged staff " ( 5.1.203 ) . As a verbal contest it would best be called a draw ; the very duration and ...
... rhetorical elabora- tions of the sport , mostly generated by reference to War- wick's crest of " The rampant bear chain'd to the ragged staff " ( 5.1.203 ) . As a verbal contest it would best be called a draw ; the very duration and ...
Page 73
... rhetorical narrative . Claudio actu- ally caps the prince's metaphors : " But lest my liking might too sudden seem , / I would have salved it with a longer treatise " ( I.i.282-83 ) . Courtship in his opinion must make itself discursive ...
... rhetorical narrative . Claudio actu- ally caps the prince's metaphors : " But lest my liking might too sudden seem , / I would have salved it with a longer treatise " ( I.i.282-83 ) . Courtship in his opinion must make itself discursive ...
Page 134
... rhetorical . A rhetorical reading is by definition occasional , formal , psychological , and cog- nizant of agency . Mine will attempt to describe the reticu- lation of verbal and visual forces deployed by players and of psychological ...
... rhetorical . A rhetorical reading is by definition occasional , formal , psychological , and cog- nizant of agency . Mine will attempt to describe the reticu- lation of verbal and visual forces deployed by players and of psychological ...
Contents
Taming the Womans | 3 |
Anamorphism | 33 |
Antipholus Katherine and Proteus | 41 |
Copyright | |
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Antony Antony and Cleopatra Antony's argues audience Aufidius bear bearbaiting become Bolingbroke bridle Caesar Cambridge carnival characters Cleopatra Comedy of Errors comic Cordelia Coriolanus critics culture Cymbeline death Desdemona discourse drama dream Edgar Egeon's Elizabethan England English essay eyes Falstaff father female film gender hath heart Helena Henry Henry's human Iago Juliet Kate King John King Lear language Lear's Leontes lines London Love's Labor's Lost Macbeth madness male Malvolio marriage means ment metaphor nature noble Olivier Othello perception Pericles play play's playgoer plot political Posthumus Prince Prospero Queen reading Renaissance rhetorical Richard Richard II role Roman says scene script seems sense sexual Shake Shakespeare Shrew social speak speare speare's speech stage suggests Tamburlaine Tempest theater theatrical Theseus thou tion Titania tragedy trans Twelfth Night Univ University Press Winter's Tale witchcraft witches woman women words York