Shakespearean CriticismJoseph C. Tardiff Annotation Beginning with Volume 13 in the series, Shakespeare Criticism has been published as an annual selection of noteworthy contributions to Shakespearean scholarship published during the previous year. Seventeen of the essays in SC19 originally appeared as chapters in books. The 26 journal articles included are drawn from ten different periodicals. Together, these 43 essays provide current assessments of nearly three-quarters of the Shakespeare canon. Addressed to a wide audience, including advanced secondary school students, undergraduate and graduate students, and teachers. Annotation copyright by Book News, Inc., Portland, OR. |
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Results 1-3 of 41
Page 276
... perceive one another and their own situations . Perception is the or- ganization of raw sensations into meaningful patterns and encompasses understanding , the stage of this process that occurs at several removes from sensation . To see ...
... perceive one another and their own situations . Perception is the or- ganization of raw sensations into meaningful patterns and encompasses understanding , the stage of this process that occurs at several removes from sensation . To see ...
Page 280
... perception we are given of the " this " that Roderigo does not like occurs when Iago tells Bra- bantio " an old ... perception of Othello to the playgoer's per- ception of Iago , just as Othello's perception of Desdemona is tied to ...
... perception we are given of the " this " that Roderigo does not like occurs when Iago tells Bra- bantio " an old ... perception of Othello to the playgoer's per- ception of Iago , just as Othello's perception of Desdemona is tied to ...
Page 281
... perception of an innocent Desdemona in order to hold his perception of a guilty Des- demona , Bradley actively suppressed the perception of a contemptible Othello . Bradley's perception of Othello also was tied to his perception of ...
... perception of an innocent Desdemona in order to hold his perception of a guilty Des- demona , Bradley actively suppressed the perception of a contemptible Othello . Bradley's perception of Othello also was tied to his perception of ...
Contents
Taming the Womans | 3 |
Anamorphism | 33 |
Antipholus Katherine and Proteus | 41 |
Copyright | |
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Antony Antony and Cleopatra Antony's argues audience Aufidius bear bearbaiting become Bolingbroke bridle Caesar Cambridge carnival characters Cleopatra Comedy of Errors comic Cordelia Coriolanus critics culture Cymbeline death Desdemona discourse drama dream Edgar Egeon's Elizabethan England English essay eyes Falstaff father female film gender hath heart Helena Henry Henry's human Iago Juliet Kate King John King Lear language Lear's Leontes lines London Love's Labor's Lost Macbeth madness male Malvolio marriage means ment metaphor nature noble Olivier Othello perception Pericles play play's playgoer plot political Posthumus Prince Prospero Queen reading Renaissance rhetorical Richard Richard II role Roman says scene script seems sense sexual Shake Shakespeare Shrew social speak speare speare's speech stage suggests Tamburlaine Tempest theater theatrical Theseus thou tion Titania tragedy trans Twelfth Night Univ University Press Winter's Tale witchcraft witches woman women words York