Shakespearean CriticismJoseph C. Tardiff Annotation Beginning with Volume 13 in the series, Shakespeare Criticism has been published as an annual selection of noteworthy contributions to Shakespearean scholarship published during the previous year. Seventeen of the essays in SC19 originally appeared as chapters in books. The 26 journal articles included are drawn from ten different periodicals. Together, these 43 essays provide current assessments of nearly three-quarters of the Shakespeare canon. Addressed to a wide audience, including advanced secondary school students, undergraduate and graduate students, and teachers. Annotation copyright by Book News, Inc., Portland, OR. |
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Page 186
... figure for King John's initial questions con- cerning plural claims on royal legitimacy . By giving the Bastard the right to " speak the kingdom , " King John evokes a postfeudal fantasy that , in stopping short of bas- tardizing ...
... figure for King John's initial questions con- cerning plural claims on royal legitimacy . By giving the Bastard the right to " speak the kingdom , " King John evokes a postfeudal fantasy that , in stopping short of bas- tardizing ...
Page 373
... figure of winter and of earth , whose den symbolizes both a grave and a womb . The bear is a figure of boundaries and of transformations , marking both the moment of ending or death and the mo- ment of new beginnings or birth . The ...
... figure of winter and of earth , whose den symbolizes both a grave and a womb . The bear is a figure of boundaries and of transformations , marking both the moment of ending or death and the mo- ment of new beginnings or birth . The ...
Page 448
... figure 1 : 389 , 414 stage interpretations of 14 : 4 , 6 , 7 , 9 , 15 , 116 , 130 , 146 as a subversive figure 16 : 183 as a Vice figure 1 : 342 , 361 , 366 , 374 gender and power , theme of 13 : 183 Hal as the central character 1 : 286 ...
... figure 1 : 389 , 414 stage interpretations of 14 : 4 , 6 , 7 , 9 , 15 , 116 , 130 , 146 as a subversive figure 16 : 183 as a Vice figure 1 : 342 , 361 , 366 , 374 gender and power , theme of 13 : 183 Hal as the central character 1 : 286 ...
Contents
Taming the Womans | 3 |
Anamorphism | 33 |
Antipholus Katherine and Proteus | 41 |
Copyright | |
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Antony Antony and Cleopatra Antony's argues audience Aufidius bear bearbaiting become Bolingbroke bridle Caesar Cambridge carnival characters Cleopatra Comedy of Errors comic Cordelia Coriolanus critics culture Cymbeline death Desdemona discourse drama dream Edgar Egeon's Elizabethan England English essay eyes Falstaff father female film gender hath heart Helena Henry Henry's human Iago Juliet Kate King John King Lear language Lear's Leontes lines London Love's Labor's Lost Macbeth madness male Malvolio marriage means ment metaphor nature noble Olivier Othello perception Pericles play play's playgoer plot political Posthumus Prince Prospero Queen reading Renaissance rhetorical Richard Richard II role Roman says scene script seems sense sexual Shake Shakespeare Shrew social speak speare speare's speech stage suggests Tamburlaine Tempest theater theatrical Theseus thou tion Titania tragedy trans Twelfth Night Univ University Press Winter's Tale witchcraft witches woman women words York