Shakespearean CriticismJoseph C. Tardiff Annotation Beginning with Volume 13 in the series, Shakespeare Criticism has been published as an annual selection of noteworthy contributions to Shakespearean scholarship published during the previous year. Seventeen of the essays in SC19 originally appeared as chapters in books. The 26 journal articles included are drawn from ten different periodicals. Together, these 43 essays provide current assessments of nearly three-quarters of the Shakespeare canon. Addressed to a wide audience, including advanced secondary school students, undergraduate and graduate students, and teachers. Annotation copyright by Book News, Inc., Portland, OR. |
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Page 49
... characters in Twelfth Night . This state of being might be termed " love " ( as the characters themselves call it ) or " self - love " ( as the critics often call it ) , though it is perhaps more accurate to call it an emotional realm ...
... characters in Twelfth Night . This state of being might be termed " love " ( as the characters themselves call it ) or " self - love " ( as the critics often call it ) , though it is perhaps more accurate to call it an emotional realm ...
Page 55
... characters only at the conclu- sion . We know everything ; the text knows nothing or so we think . One major critic informs us that this play is " two - dimensional only , unsubstantial , not intended to be taken seriously . " Another ...
... characters only at the conclu- sion . We know everything ; the text knows nothing or so we think . One major critic informs us that this play is " two - dimensional only , unsubstantial , not intended to be taken seriously . " Another ...
Page 280
... characters who describe him . Most playgoers are able to detect and account for obvious bias ( " thick - lips " [ 66 ] ) . But alongside such obviously bi- ased evidence occur less obvious red herrings . For exam- ple , the first clear ...
... characters who describe him . Most playgoers are able to detect and account for obvious bias ( " thick - lips " [ 66 ] ) . But alongside such obviously bi- ased evidence occur less obvious red herrings . For exam- ple , the first clear ...
Contents
Taming the Womans | 3 |
Anamorphism | 33 |
Antipholus Katherine and Proteus | 41 |
Copyright | |
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