Shakespearean CriticismJoseph C. Tardiff Annotation Beginning with Volume 13 in the series, Shakespeare Criticism has been published as an annual selection of noteworthy contributions to Shakespearean scholarship published during the previous year. Seventeen of the essays in SC19 originally appeared as chapters in books. The 26 journal articles included are drawn from ten different periodicals. Together, these 43 essays provide current assessments of nearly three-quarters of the Shakespeare canon. Addressed to a wide audience, including advanced secondary school students, undergraduate and graduate students, and teachers. Annotation copyright by Book News, Inc., Portland, OR. |
From inside the book
Results 1-3 of 86
Page 147
... body and blood of Christ . . . . Whereas therefore there are but three expositions made of ' this is my body , ' the first , ' this is in itself before participation really and truly the natural sub- stance of my body by reason of the ...
... body and blood of Christ . . . . Whereas therefore there are but three expositions made of ' this is my body , ' the first , ' this is in itself before participation really and truly the natural sub- stance of my body by reason of the ...
Page 205
... body as spectacle , as in the blason and its variants in Renais- sance love poetry , but through an o / aural wordplay that dismembers her . Nancy Vickers suggests that this synec- dochic mode of representing woman as a fragmented body ...
... body as spectacle , as in the blason and its variants in Renais- sance love poetry , but through an o / aural wordplay that dismembers her . Nancy Vickers suggests that this synec- dochic mode of representing woman as a fragmented body ...
Page 415
... body's face to make a positive identification calls attention , with a self- conscious and near absurdist flair , to the peculiar mode of her misperception . So does Lucius's comment about the body : " who was he / That ( otherwise than ...
... body's face to make a positive identification calls attention , with a self- conscious and near absurdist flair , to the peculiar mode of her misperception . So does Lucius's comment about the body : " who was he / That ( otherwise than ...
Contents
Taming the Womans | 3 |
Anamorphism | 33 |
Antipholus Katherine and Proteus | 41 |
Copyright | |
26 other sections not shown
Other editions - View all
Common terms and phrases
Antony Antony and Cleopatra Antony's argues audience Aufidius bear bearbaiting become Bolingbroke bridle Caesar Cambridge carnival characters Cleopatra Comedy of Errors comic Cordelia Coriolanus critics culture Cymbeline death Desdemona discourse drama dream Edgar Egeon's Elizabethan England English essay eyes Falstaff father female film gender hath heart Helena Henry Henry's human Iago Juliet Kate King John King Lear language Lear's Leontes lines London Love's Labor's Lost Macbeth madness male Malvolio marriage means ment metaphor nature noble Olivier Othello perception Pericles play play's playgoer plot political Posthumus Prince Prospero Queen reading Renaissance rhetorical Richard Richard II role Roman says scene script seems sense sexual Shake Shakespeare Shrew social speak speare speare's speech stage suggests Tamburlaine Tempest theater theatrical Theseus thou tion Titania tragedy trans Twelfth Night Univ University Press Winter's Tale witchcraft witches woman women words York