Shakespearean CriticismJoseph C. Tardiff Annotation Beginning with Volume 13 in the series, Shakespeare Criticism has been published as an annual selection of noteworthy contributions to Shakespearean scholarship published during the previous year. Seventeen of the essays in SC19 originally appeared as chapters in books. The 26 journal articles included are drawn from ten different periodicals. Together, these 43 essays provide current assessments of nearly three-quarters of the Shakespeare canon. Addressed to a wide audience, including advanced secondary school students, undergraduate and graduate students, and teachers. Annotation copyright by Book News, Inc., Portland, OR. |
From inside the book
Results 1-3 of 85
Page 209
... begins as the story of a king whose deposition results in civil strife and turns into the story of a complex and fascinating individual . Shakespeare stum- bled into the creation of his greatest character so far through his growing ...
... begins as the story of a king whose deposition results in civil strife and turns into the story of a complex and fascinating individual . Shakespeare stum- bled into the creation of his greatest character so far through his growing ...
Page 298
... begins the promised end with a howl . And in the Quarto , he ends the sequence with a similarly inarticulate utterance : " O , 0 , 0 , 0. " 13 In conflating the early texts , editors have traditionally pre- ferred the Folio ending to ...
... begins the promised end with a howl . And in the Quarto , he ends the sequence with a similarly inarticulate utterance : " O , 0 , 0 , 0. " 13 In conflating the early texts , editors have traditionally pre- ferred the Folio ending to ...
Page 330
... begins to investigate the continuities and dis- continuities between the above epigrams . In the Twelfth Night exchange Olivia accuses Feste , her licensed fool , of madness ; he defends himself against the charge by declar- ing that he ...
... begins to investigate the continuities and dis- continuities between the above epigrams . In the Twelfth Night exchange Olivia accuses Feste , her licensed fool , of madness ; he defends himself against the charge by declar- ing that he ...
Contents
Taming the Womans | 3 |
Anamorphism | 33 |
Antipholus Katherine and Proteus | 41 |
Copyright | |
26 other sections not shown
Other editions - View all
Common terms and phrases
Antony Antony and Cleopatra Antony's argues audience Aufidius bear bearbaiting become Bolingbroke bridle Caesar Cambridge carnival characters Cleopatra Comedy of Errors comic Cordelia Coriolanus critics culture Cymbeline death Desdemona discourse drama dream Edgar Egeon's Elizabethan England English essay eyes Falstaff father female film gender hath heart Helena Henry Henry's human Iago Juliet Kate King John King Lear language Lear's Leontes lines London Love's Labor's Lost Macbeth madness male Malvolio marriage means ment metaphor nature noble Olivier Othello perception Pericles play play's playgoer plot political Posthumus Prince Prospero Queen reading Renaissance rhetorical Richard Richard II role Roman says scene script seems sense sexual Shake Shakespeare Shrew social speak speare speare's speech stage suggests Tamburlaine Tempest theater theatrical Theseus thou tion Titania tragedy trans Twelfth Night Univ University Press Winter's Tale witchcraft witches woman women words York