Shakespearean CriticismJoseph C. Tardiff Annotation Beginning with Volume 13 in the series, Shakespeare Criticism has been published as an annual selection of noteworthy contributions to Shakespearean scholarship published during the previous year. Seventeen of the essays in SC19 originally appeared as chapters in books. The 26 journal articles included are drawn from ten different periodicals. Together, these 43 essays provide current assessments of nearly three-quarters of the Shakespeare canon. Addressed to a wide audience, including advanced secondary school students, undergraduate and graduate students, and teachers. Annotation copyright by Book News, Inc., Portland, OR. |
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Page 34
... comedy and the direc- tion in which he was to develop throughout his career as a comic writer . The Comedy of Errors reveals his depen- dence upon classical sources , his fondness for farcical situ- ations , and his preoccupation with ...
... comedy and the direc- tion in which he was to develop throughout his career as a comic writer . The Comedy of Errors reveals his depen- dence upon classical sources , his fondness for farcical situ- ations , and his preoccupation with ...
Page 55
... Comedy of Errors is as much " about " its own construction of meaning as it is about the con- struction or reconstruction of the family . A full articula- tion of the play's levels of self - awareness is impossible- and this may well be ...
... Comedy of Errors is as much " about " its own construction of meaning as it is about the con- struction or reconstruction of the family . A full articula- tion of the play's levels of self - awareness is impossible- and this may well be ...
Page 66
... Comedy , 17 . 11 See Arthur Quiller - Couch , Introduction to The Comedy of Errors , in the New Cambridge Shakespeare ( 1922 ; rpt . Cambridge : Cambridge University Press , 1962 ) ; Champion , Evolution of Shakespeare's Comedy ...
... Comedy , 17 . 11 See Arthur Quiller - Couch , Introduction to The Comedy of Errors , in the New Cambridge Shakespeare ( 1922 ; rpt . Cambridge : Cambridge University Press , 1962 ) ; Champion , Evolution of Shakespeare's Comedy ...
Contents
Taming the Womans | 3 |
Anamorphism | 33 |
Antipholus Katherine and Proteus | 41 |
Copyright | |
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Antony Antony and Cleopatra Antony's argues audience Aufidius bear bearbaiting become Bolingbroke bridle Caesar Cambridge carnival characters Cleopatra Comedy of Errors comic Cordelia Coriolanus critics culture Cymbeline death Desdemona discourse drama dream Edgar Egeon's Elizabethan England English essay eyes Falstaff father female film gender hath heart Helena Henry Henry's human Iago Juliet Kate King John King Lear language Lear's Leontes lines London Love's Labor's Lost Macbeth madness male Malvolio marriage means ment metaphor nature noble Olivier Othello perception Pericles play play's playgoer plot political Posthumus Prince Prospero Queen reading Renaissance rhetorical Richard Richard II role Roman says scene script seems sense sexual Shake Shakespeare Shrew social speak speare speare's speech stage suggests Tamburlaine Tempest theater theatrical Theseus thou tion Titania tragedy trans Twelfth Night Univ University Press Winter's Tale witchcraft witches woman women words York