Julius CaesarThese popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. Shakespeare's shortest play tells the story of Julius Caesar and Marcus Brutus, who, fearing the possibility of a dictator-led empire, betrays Caesar to protect Rome. Little does he know that Cassius has been holding the strings, manipulating Brutus into exploiting Caesar's weakness and removing him from power with the help of fellow conspirers. Contemplating motives for murder, national allegiance, and divine right, Shakespeare's Julius Caesar is a unique look at the true events surrounding Caesar's assassination in 44 B.C. |
From inside the book
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Page 5
... suggests disrobing the images . Murellus doubts the wisdom of this , but Flavius sweeps away his objections . His parting words about making Caesar " fly an ordinary pitch " foreshadow Cassius ' lines to Brutus about Caesar . MURELLUS ...
... suggests disrobing the images . Murellus doubts the wisdom of this , but Flavius sweeps away his objections . His parting words about making Caesar " fly an ordinary pitch " foreshadow Cassius ' lines to Brutus about Caesar . MURELLUS ...
Page 111
... suggesting that we are in Rome . The subject of the conversations ( first , who is to be executed , and second , getting rid of Lepidus ) suggest a private place , where they are not apt to be interrupted , and an interior , for the ...
... suggesting that we are in Rome . The subject of the conversations ( first , who is to be executed , and second , getting rid of Lepidus ) suggest a private place , where they are not apt to be interrupted , and an interior , for the ...
Page 117
... suggests that , in production , the portable tent might well have been brought in and set up upstage of the action during the " Stand , stand " flurry of the entrance , and that at the beginning of our Act IV , Sc . iii , Brutus and ...
... suggests that , in production , the portable tent might well have been brought in and set up upstage of the action during the " Stand , stand " flurry of the entrance , and that at the beginning of our Act IV , Sc . iii , Brutus and ...
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Common terms and phrases
actors Alarum answer Antony's Artemidorus asks audience battle bear beginning blood Brutus and Cassius Brutus's Caesar's body Caius Ligarius Calphurnia Capitol Casca Cato Cicero CINNA Claudio CLITUS COBBLER comes conspiracy conspirators crowd crown DARDANIUS dead death Decius director doth Elizabethan enemy Enter BRUTUS Exeunt Exit fear FLAVIUS follow FOURTH PLEBEIAN ghost gods grief hand hath hear heart honor ides of March Julius Caesar kill leave Lepidus Ligarius look lord Lucilius Lucius Marcus Marcus Brutus Mark Antony means MESSALA Metellus Cimber move MURELLUS night noble Brutus Octavius oration Philippi Pindarus Plutarch Pompey Portia production Publius Roman Rome scene SECOND PLEBEIAN seems senators SERVANT Shakespeare shout sick soldier soliloquy SOOTHSAYER speak speech spirit Stage Directions stand Strato sword tell tent theatre theatrical thee things THIRD PLEBEIAN Titinius traitors Trebonius VARRUS Volumnius wife words wrong