Julius CaesarThese popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. Shakespeare's shortest play tells the story of Julius Caesar and Marcus Brutus, who, fearing the possibility of a dictator-led empire, betrays Caesar to protect Rome. Little does he know that Cassius has been holding the strings, manipulating Brutus into exploiting Caesar's weakness and removing him from power with the help of fellow conspirers. Contemplating motives for murder, national allegiance, and divine right, Shakespeare's Julius Caesar is a unique look at the true events surrounding Caesar's assassination in 44 B.C. |
From inside the book
Results 1-3 of 24
Page vi
William Shakespeare Maurice Charney, Stuart Vaughan. unusual in a production rather than the opportunities offered to actors in any production of the play , the text's enduring theatrical vitality . In any case , all this material is ...
William Shakespeare Maurice Charney, Stuart Vaughan. unusual in a production rather than the opportunities offered to actors in any production of the play , the text's enduring theatrical vitality . In any case , all this material is ...
Page xvii
... production was revived in 1899 , in each year from 1905 to 1911 , and in 1913. Tree himself played Antony , and he so arranged the play in three acts that he had each of the tableau curtains entirely to himself , thus giving the ...
... production was revived in 1899 , in each year from 1905 to 1911 , and in 1913. Tree himself played Antony , and he so arranged the play in three acts that he had each of the tableau curtains entirely to himself , thus giving the ...
Page 109
... production of operatic scale is needed to do realistic justice to such a scene , and in today's live theatre other means must be found to give the theatre audience a sense of the chaos the author intended . It seems that Shakespeare's ...
... production of operatic scale is needed to do realistic justice to such a scene , and in today's live theatre other means must be found to give the theatre audience a sense of the chaos the author intended . It seems that Shakespeare's ...
Other editions - View all
Common terms and phrases
actors Alarum answer Antony's Artemidorus asks audience battle bear beginning blood Brutus and Cassius Brutus's Caesar's body Caius Ligarius Calphurnia Capitol Casca Cato Cicero CINNA Claudio CLITUS COBBLER comes conspiracy conspirators crowd crown DARDANIUS dead death Decius director doth Elizabethan enemy Enter BRUTUS Exeunt Exit fear FLAVIUS follow FOURTH PLEBEIAN ghost gods grief hand hath hear heart honor ides of March Julius Caesar kill leave Lepidus Ligarius look lord Lucilius Lucius Marcus Marcus Brutus Mark Antony means MESSALA Metellus Cimber move MURELLUS night noble Brutus Octavius oration Philippi Pindarus Plutarch Pompey Portia production Publius Roman Rome scene SECOND PLEBEIAN seems senators SERVANT Shakespeare shout sick soldier soliloquy SOOTHSAYER speak speech spirit Stage Directions stand Strato sword tell tent theatre theatrical thee things THIRD PLEBEIAN Titinius traitors Trebonius VARRUS Volumnius wife words wrong