Julius CaesarThese popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. Shakespeare's shortest play tells the story of Julius Caesar and Marcus Brutus, who, fearing the possibility of a dictator-led empire, betrays Caesar to protect Rome. Little does he know that Cassius has been holding the strings, manipulating Brutus into exploiting Caesar's weakness and removing him from power with the help of fellow conspirers. Contemplating motives for murder, national allegiance, and divine right, Shakespeare's Julius Caesar is a unique look at the true events surrounding Caesar's assassination in 44 B.C. |
From inside the book
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Page 71
... crowd , the Roman mob ( since they are already on the company payroll and might as well be on the stage as in the dressing room ) , and as lively a stage picture as the manage- ment can muster . 1-13 Accompanied by whatever guards to ...
... crowd , the Roman mob ( since they are already on the company payroll and might as well be on the stage as in the dressing room ) , and as lively a stage picture as the manage- ment can muster . 1-13 Accompanied by whatever guards to ...
Page 95
... crowd responds , both as indicated by the author's written lines for the Plebeians and at other places the cast and director find appropriate . No actor can outshout an unrestrained crowd , and many an Antony , trying to do so on the ...
... crowd responds , both as indicated by the author's written lines for the Plebeians and at other places the cast and director find appropriate . No actor can outshout an unrestrained crowd , and many an Antony , trying to do so on the ...
Page 101
... crowd graph the transition from grief to rage and mutiny through which the crowd must pass . Remember , these sentiments will be echoed by improvisations throughout the passage . " Burn ! Fire ! Kill !, " etc. , sug- gests a violent ...
... crowd graph the transition from grief to rage and mutiny through which the crowd must pass . Remember , these sentiments will be echoed by improvisations throughout the passage . " Burn ! Fire ! Kill !, " etc. , sug- gests a violent ...
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Common terms and phrases
actors Alarum answer Antony's Artemidorus asks audience battle bear beginning blood Brutus and Cassius Brutus's Caesar's body Caius Ligarius Calphurnia Capitol Casca Cato Cicero CINNA Claudio CLITUS COBBLER comes conspiracy conspirators crowd crown DARDANIUS dead death Decius director doth Elizabethan enemy Enter BRUTUS Exeunt Exit fear FLAVIUS follow FOURTH PLEBEIAN ghost gods grief hand hath hear heart honor ides of March Julius Caesar kill leave Lepidus Ligarius look lord Lucilius Lucius Marcus Marcus Brutus Mark Antony means MESSALA Metellus Cimber move MURELLUS night noble Brutus Octavius oration Philippi Pindarus Plutarch Pompey Portia production Publius Roman Rome scene SECOND PLEBEIAN seems senators SERVANT Shakespeare shout sick soldier soliloquy SOOTHSAYER speak speech spirit Stage Directions stand Strato sword tell tent theatre theatrical thee things THIRD PLEBEIAN Titinius traitors Trebonius VARRUS Volumnius wife words wrong