The Exhibition Speaker: Containing Farces, Dialogues, and Tableaux, with Exercises for Declamation in Prose and Verse |
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Page 7
... Articulation , · 19 • 22 20 20 20 21 Impediments , Stammering , etc. , with Infallible Rules for Cure , 22 Pronunciation and Accent , · Emphasis , Pauses and Breathing , Pitch , · • • Quantity , • Modulation , Variety , and Rate of ...
... Articulation , · 19 • 22 20 20 20 21 Impediments , Stammering , etc. , with Infallible Rules for Cure , 22 Pronunciation and Accent , · Emphasis , Pauses and Breathing , Pitch , · • • Quantity , • Modulation , Variety , and Rate of ...
Page 15
... articulate correctly , and errors in articulation deprive a language of all its force and beauty . No matter how cor- rect and worthy of attention a speaker's sentiments may be , if the words used in delivering them are hurried over ...
... articulate correctly , and errors in articulation deprive a language of all its force and beauty . No matter how cor- rect and worthy of attention a speaker's sentiments may be , if the words used in delivering them are hurried over ...
Page 17
... articulate each element correctly . The fol- lowing is a table of the analysis of words , in which there are easy and difficult combinations of elements . Let the pupil spell the words , uttering separately each element , and not the ...
... articulate each element correctly . The fol- lowing is a table of the analysis of words , in which there are easy and difficult combinations of elements . Let the pupil spell the words , uttering separately each element , and not the ...
Page 21
... Articulation . 2. Pronunciation and accent . 3. Emphasis . 4. Pauses . 5. Pitch . 6. Quantity . 7. Modulation and variety 8. Tones . Articulation . The first point in the management of the voice , and that of the most indispensable ...
... Articulation . 2. Pronunciation and accent . 3. Emphasis . 4. Pauses . 5. Pitch . 6. Quantity . 7. Modulation and variety 8. Tones . Articulation . The first point in the management of the voice , and that of the most indispensable ...
Page 22
... articulated . Good articulation is not only conducive to the improvement of the voice in clearness and strength , but it is the criterion of a speaker's knowledge of his language ; hence the almost unconquerable imperfections in the ...
... articulated . Good articulation is not only conducive to the improvement of the voice in clearness and strength , but it is the criterion of a speaker's knowledge of his language ; hence the almost unconquerable imperfections in the ...
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Common terms and phrases
articulation attention backboard bathing machines body Bouncer BULLIONS'S CALISTHENICS Carl Carlitz Chris Christine commencing position Coun Curtain Dalton Dame dear Demosthenes dinner Doric dumb-bells ELIJAH H Ellen English language Enter exercise Exit eyes father feel feet fingers foot forward friends front George GEORGE CROLY gesture give Graves Greece ground gymnastic hands happy heart Heaven heels Hob and Nob honor Human Voice Huon John JOHN F. W. HERSCHEL keep knee language leap legs letter Liberty look Margate Marinella Measureton mind never orator pauses pitch placed pole poor practice Price proper pupil raised Rens Renslaus scene shoulders side sizar Soldier sound speak Sponge stage sweet syllables TABLEAU TABLEAUX VIVANTS teacher tell thee There's thing thou toes tones turned voice waiter Wideacre word marked young youth Zounds
Popular passages
Page 192 - When my eyes shall be turned to behold for the last time the sun in heaven, may I not see him shining on the broken and dishonored fragments of a once glorious Union; on States dissevered, discordant, belligerent; on a land rent with civil feuds or drenched, it may be, in fraternal blood ! Let their last feeble and lingering glance rather behold the gorgeous ensign of the Republic, now known and honored throughout the earth, still full high advanced, its arms and trophies streaming in their original...
Page 136 - ... twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure.
Page 136 - O, it offends me to the soul, to hear a robustious periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings; who, for the most part, are capable of nothing but inexplicable dumb shows, and noise: I would have such a fellow whipped for o'erdoing Termagant; it out-herods Herod: Pray you, avoid it.
Page 191 - That Union we reached only by the discipline of our virtues in the severe school of adversity. It had its origin in the necessities of disordered finance, prostrate commerce, and ruined credit. Under its benign influences, these great interests immediately awoke as from the dead, and sprang forth with newness of life.
Page 192 - Liberty first and Union afterwards ; but everywhere, spread all over in characters of living light, blazing on all its ample folds, as they float over the sea and over the land, and in every wind under the whole heavens, that other sentiment, dear to every true American heart, Liberty and Union, Now and Forever, One and Inseparable.
Page 191 - I have not allowed myself, sir, to look beyond the Union to see what might lie hidden in the dark recess behind. I have not coolly weighed the chances of preserving liberty when the bonds that unite us together shall be broken asunder. I have not. accustomed myself to hang over the precipice of disunion to see whether, with my short sight, I can fathom the depth of the abyss below...
Page 137 - Hath seal'd thee for herself: for thou hast been As one, in suffering all, that suffers nothing ; A man, that Fortune's buffets and rewards...
Page 136 - ... accent of Christians nor the gait of Christian, pagan, nor man, have so strutted and bellowed that I have thought some of Nature's journeymen had made men and not made them well, they imitated humanity so abominably.
Page 133 - But that I am forbid To tell the secrets of my prison-house, I could a tale unfold whose lightest word Would harrow up thy soul, freeze thy young blood, : Make thy two eyes, like stars, start from their spheres, Thy knotted and combined locks to part And each particular hair to stand on end, Like quills upon the fretful porcupine : But this eternal blazon must not be To ears of flesh and blood.
Page 134 - Ay, that incestuous, that adulterate beast, With witchcraft of his wit, with traitorous gifts, — O wicked wit and gifts, that have the power So to seduce! — won to his shameful lust The will of my most seeming-virtuous queen: 0 Hamlet, what a falling-off was there!