Annals of the Artists of Spain, Volume 3

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J.C. Nimmo, 1891 - Art - 1670 pages
 

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Page 1030 - ... the moral effect of the picture. The disgust felt by the spectator is evidently shared by the attendant ladies ; yet the highborn dame continues her self-imposed task, her pale and pensive countenance betraying no inward repugnance, and her dainty fingers shrinking from no service that can alleviate human misery, and exemplify her devotion to her Master. The old hag, whose brown scraggy neck and lean arms enhance by contrast the delicate beauty of the saint, alone seems to have leisure or inclination...
Page 1045 - Order), and wearing a white mitre, St. Thomas the Almoner stands at the door of his cathedral, relieving the wants of a lame half-naked beggar who kneels at his feet. His pale venerable countenance, expressive of severities inflicted on himself, and of habitual kindness and good-will towards all mankind, is not inferior in intellectual dignity and beauty to that of St. L'eander.
Page 960 - ... then, let the divinest of the muses, let Astronomy approach, and take him by the hand ; let her ' Come, but keep her wonted state, With even step and musing gait, And looks commercing with the skies, Her rapt soul sitting in her eyes.
Page 921 - Seville ; and, from the close adherence to Titian's pictures observable in the grave countenance of the imperial adorer, it is reasonable to suppose that in the other historical personages the likeness has been preserved wherever it was practicable. The dark mild face immediately behind Charles is traditionally held to be the portrait of Zurbaran himself, in spite of its blemishes as a composition, — which are perhaps chargeable less against the painter than against his Dominican patrons of the...
Page 1034 - London, they have lost the voice with which they spoke to the heart from the altars of their native church. No poor patient, ere returning to the busy haunts of men, kneels now before the
Page 1100 - ... preferred with reason, to all the others, as the most original and characteristic of their school. These two great painters are remarkable for having lived in the same time, in the same school, painted from the same people, and of the same age, and yet to have formed two styles so different and opposite, that the most unlearned can scarcely mistake them ; •Murillo being all softness, while Velasquez is all sparkle and vivacity.
Page 1002 - Kneeling near a table, the shaven brown-frocked saint is surprised by a visit from the Infant Jesus, a charming naked Babe, who descends in a golden flood of glory, walking the bright air as if it were the earth, while around him floats and hovers a company of cherubs, most of them children, forming a rich garland of graceful forms and lovely faces. Gazing up in rapture at this dazzling vision, St. Antony kneels with arms outstretched to receive the approaching Saviour. On a table is a vase containing...
Page 946 - have spent my youth and my patrimony on my university studies, and now, being auditor of Granada, a far An Artist 's ini painting; 1>\ John nobler profession than yours, I earn each day a bare doubloon.' The old lay leaven began to work in the canon, and he remembered the words of Philip IV. 'Yours a nobler profession than mine...
Page 1076 - At length, in July, 1615, Paul V. formally instituted the office commemorating- the Immaculate Conception, and in 1617 issued a bull forbidding any one to teach or preach a contrary opinion. " On the publication of this bull, Seville flew into a frenzy of religious joy." The archbishop performed a solemn service in the Cathedral. Cannon roared, and bull fights, tournaments, and banquets celebrated this triumph of the votaries of the Virgin. Spain and its dependencies were solemnly placed under the...
Page 800 - FROM THE LIBRARY OF MRS. GEORGE H. MONKS PRESENTED BY HER CHILDREN REV. G. GARDNER MONKS DR. JOHN P. MONKS MRS. CONSTANTIN A.

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