Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 69Gale Research Company, 1984 - 428 pages This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes one through ten present critical overviews of each play and feature criticism from the 17th century to the present. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. The plays, theme or focus of this volume include: As you like it, Henry IV, parts 1 & 2, incest, and Macbeth. - Publisher. |
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Page 201
... speak in an aside , the first to invite sympathy with a mind in perplexity : ' What shall Cordelia speak ? Love , and be silent ' ( 1.1.62 ) . “ Such familiar asides are more often the hallmark of deception than truth - one might rather ...
... speak in an aside , the first to invite sympathy with a mind in perplexity : ' What shall Cordelia speak ? Love , and be silent ' ( 1.1.62 ) . “ Such familiar asides are more often the hallmark of deception than truth - one might rather ...
Page 284
... speak in blank verse they are all poets . This constitutes an exceptional difficulty for the actor : not all the words he has to speak as Macbeth can properly be said to constitute part of his sub - text for the role . Macbeth and ...
... speak in blank verse they are all poets . This constitutes an exceptional difficulty for the actor : not all the words he has to speak as Macbeth can properly be said to constitute part of his sub - text for the role . Macbeth and ...
Page 334
... speak much further . " And why not speak ? This is not the time to conceal the truth . Ross then makes a slight concession to Lady Macduff's perplexity by adding : But cruel are the times , when we are traitors And do not know ourselves ...
... speak much further . " And why not speak ? This is not the time to conceal the truth . Ross then makes a slight concession to Lady Macduff's perplexity by adding : But cruel are the times , when we are traitors And do not know ourselves ...
Contents
As You Like | 1 |
Character Studies | 21 |
Production Reviews | 43 |
Copyright | |
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action appears Arden audience becomes begins blood brother called character comedy course court critics crown daughter death desire drama Duke Duncan edited effect Elizabethan English essay evil example fact Falstaff father fear feel figure final force forest gives Hal's Hamlet hand Henry Henry IV Holinshed Hotspur human humors imagination incest Jaques John kind King Lady language later Lear less lines live London Macbeth Macduff marriage means mind moral mother murder nature never once opening Orlando perhaps Pericles play present Press Prince question reading reference relation represents Richard role Rosalind scene seems sense sexual Shake Shakespeare social soliloquy speak speech stage Studies suggests tells theme things thou thought tion Touchstone tragedy true turn University virtue wife witches York young