Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 69Gale Research Company, 1984 - 428 pages This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes one through ten present critical overviews of each play and feature criticism from the 17th century to the present. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. The plays, theme or focus of this volume include: As you like it, Henry IV, parts 1 & 2, incest, and Macbeth. - Publisher. |
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Page 121
... scene of comic hysteria follows York's discovery of Aumerle's " treason " : father berating son , mother opposing father , lost boots , beaten servants , unanswered questions , and a pell - mell race out the door reduce potentially ...
... scene of comic hysteria follows York's discovery of Aumerle's " treason " : father berating son , mother opposing father , lost boots , beaten servants , unanswered questions , and a pell - mell race out the door reduce potentially ...
Page 143
... scene in the tavern : he has put on the role of king and looked ahead at the consequences . He may begin Henry V II.ii. with the kind of smile he had ready to deceive the Sheriff or entrap Falstaff , but the end of the scene is not ...
... scene in the tavern : he has put on the role of king and looked ahead at the consequences . He may begin Henry V II.ii. with the kind of smile he had ready to deceive the Sheriff or entrap Falstaff , but the end of the scene is not ...
Page 416
... scenes 22 : 365 conscience 52 : 15 dagger scene ( Act III , scene i ) , staging of 20 : 406 Duncan 57 : 194 , 236 ; 69 : 318 Elizabethan politics , relation to 54 : 357 ending 54 : 84 ; 69 : 314 evil 3 : 194 , 208 , 231 , 234 , 239 ...
... scenes 22 : 365 conscience 52 : 15 dagger scene ( Act III , scene i ) , staging of 20 : 406 Duncan 57 : 194 , 236 ; 69 : 318 Elizabethan politics , relation to 54 : 357 ending 54 : 84 ; 69 : 314 evil 3 : 194 , 208 , 231 , 234 , 239 ...
Contents
As You Like | 1 |
Character Studies | 21 |
Production Reviews | 43 |
Copyright | |
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action appears Arden audience becomes begins blood brother called character comedy course court critics crown daughter death desire drama Duke Duncan edited effect Elizabethan English essay evil example fact Falstaff father fear feel figure final force forest gives Hal's Hamlet hand Henry Henry IV Holinshed Hotspur human humors imagination incest Jaques John kind King Lady language later Lear less lines live London Macbeth Macduff marriage means mind moral mother murder nature never once opening Orlando perhaps Pericles play present Press Prince question reading reference relation represents Richard role Rosalind scene seems sense sexual Shake Shakespeare social soliloquy speak speech stage Studies suggests tells theme things thou thought tion Touchstone tragedy true turn University virtue wife witches York young