A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Page 42
... position . Socrates ' argument is , in some respects , crude : the attempt to polarize the possible sources of poetic skill leaves open much middle ground : the traditional idea of poetic inspiration , for example the Homeric muse ...
... position . Socrates ' argument is , in some respects , crude : the attempt to polarize the possible sources of poetic skill leaves open much middle ground : the traditional idea of poetic inspiration , for example the Homeric muse ...
Page 198
... positions regarding gender difference signified by the terms ' feminist ' and ' feminine ' : the idea of a ' feminist ... position taken up by the subject within language and the social order that is not dependent on bodily difference ...
... positions regarding gender difference signified by the terms ' feminist ' and ' feminine ' : the idea of a ' feminist ... position taken up by the subject within language and the social order that is not dependent on bodily difference ...
Page 305
... position in the wider study of classical reception , since it is in the classroom that the demand for film seems most acute . This has particular commercial implications : the question of publishing trends will recur shortly , but we ...
... position in the wider study of classical reception , since it is in the classroom that the demand for film seems most acute . This has particular commercial implications : the question of publishing trends will recur shortly , but we ...
Contents
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Copyright | |
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Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words