Critical Observations on ShakespeareAMS Press, 1748 - 411 pages |
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Page 17
... ὡς ἐν ὅλῳ κινδυνέυοντα . Οὐδαμε γὰς κινάναι μεσικῆς τρόποι ἄνου πολιτικῶν νόμων τῶν μεγίσων , ὡς φησί το Δάμων , καί ἐγώ πείθομαι . De Repub . L. IV . p . 424. Edit . Steph . Το the fame purpofe the philologift Dio , Orat . 33. p . 411 ...
... ὡς ἐν ὅλῳ κινδυνέυοντα . Οὐδαμε γὰς κινάναι μεσικῆς τρόποι ἄνου πολιτικῶν νόμων τῶν μεγίσων , ὡς φησί το Δάμων , καί ἐγώ πείθομαι . De Repub . L. IV . p . 424. Edit . Steph . Το the fame purpofe the philologift Dio , Orat . 33. p . 411 ...
Page 25
... ὡς δεῖ . Ariftot . περὶ ποιητ . κεφ . κα . Horace has given this an elegant turn in his art of poetry , * . 151 . Atque SECT . V. UT perhaps our poet's art will appear Sect . 4 . on SHAKESPEARE . 25 for he should have rejected what was ...
... ὡς δεῖ . Ariftot . περὶ ποιητ . κεφ . κα . Horace has given this an elegant turn in his art of poetry , * . 151 . Atque SECT . V. UT perhaps our poet's art will appear Sect . 4 . on SHAKESPEARE . 25 for he should have rejected what was ...
Page 43
... ὡς χορευτής · οἱ δὲ βασιλεῖς ἄρχονται μὲν εἶπ ̓ ἀγαθῶν , Στέψαλε δώματα . εἶτα περὶ τρίτον ἢ τίταρον μέρα , A Ἰω Κιθαιρών , τί μ ' ἰδίχε ; Arrian . L. 1. c . 25. p.124 . Marc . Anton . XI , 16 , SECT . VI . GAIN , let us fuppofe the ...
... ὡς χορευτής · οἱ δὲ βασιλεῖς ἄρχονται μὲν εἶπ ̓ ἀγαθῶν , Στέψαλε δώματα . εἶτα περὶ τρίτον ἢ τίταρον μέρα , A Ἰω Κιθαιρών , τί μ ' ἰδίχε ; Arrian . L. 1. c . 25. p.124 . Marc . Anton . XI , 16 , SECT . VI . GAIN , let us fuppofe the ...
Page 46
... ὡς χαριζόμενοι . The marvellous ought to be in tragedy ; but rather in the Epopea is admitted . what even tranfgreffes the bounds of reafon , ( by which the marvellous is chiefly raised ) because the actors are not feen . So that which ...
... ὡς χαριζόμενοι . The marvellous ought to be in tragedy ; but rather in the Epopea is admitted . what even tranfgreffes the bounds of reafon , ( by which the marvellous is chiefly raised ) because the actors are not feen . So that which ...
Page 69
... 7 Δεύτερον δὲ , τὰ ὡς μύτλοντα . Arill . περὶ ποιητ . κ.φ. ι . Reddere perfonae fcit convenientia cuique . Hor . poet . . 316 . condition , F 3 condition , are to be confidered : thus what is Sect . 10 . 69 on SHAKESPEARE .
... 7 Δεύτερον δὲ , τὰ ὡς μύτλοντα . Arill . περὶ ποιητ . κ.φ. ι . Reddere perfonae fcit convenientia cuique . Hor . poet . . 316 . condition , F 3 condition , are to be confidered : thus what is Sect . 10 . 69 on SHAKESPEARE .
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A& III acatalectic Aeschylus againſt allufion ancient Antony and Cleopatra becauſe beſt Brutus called cauſe character Cicero comedy Coriolanus criticiſm critics Cymbeline edition Engliſh Euripides expreffion fame fays feems fenfe fhall fhew fignifies firſt fome foul fpeaking fubject fuch Greek Hamlet hath Hence Henry himſelf Homer honour Horace inftances itſelf Johnſon Julius Caefar juſt king King Lear Latin likewife Lycaonia Macbeth manners Meaſure mention'd Milton moft moſt muſt obfervations Othello Ovid paffage paffions perfon Plato Plautus play pleaſe Plutarch poet preſent raiſe reader reaſon ſay ſcene ſee ſeems Shakeſpeare ſhall ſhould ſome Sophocles ſpeaking Spencer ſtage ſtory thee thefe Theobald Theocritus theſe thing thofe thoſe thou tranflation twas ufes uſed verfe verſes Virgil whoſe word write γὰρ δὲ εἰ ἐκ ἐν καὶ μὲν πρὸς τὰ τε τὴν τῆς τὸ τὸν τῷ τῶν ὡς