The Lives of the Most Eminent British Painters, Sculptors, and Architects, Volume 2John Murray, 1830 - Artists |
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Page 11
... master pursued a strange enough method . " He regarded him , " says Galt , " as destined to be a painter , and on this account did not impose upon him those grammatical exercises of language which are usually required from the young ...
... master pursued a strange enough method . " He regarded him , " says Galt , " as destined to be a painter , and on this account did not impose upon him those grammatical exercises of language which are usually required from the young ...
Page 17
... master - works of art were in other lands , and on Rome especially he had already set his heart . So little , indeed , of the genius of the Old World had found its way to the New , that when the accidental capture of a Spanish vessel ...
... master - works of art were in other lands , and on Rome especially he had already set his heart . So little , indeed , of the genius of the Old World had found its way to the New , that when the accidental capture of a Spanish vessel ...
Page 21
... master - pieces of art . It was agreed that the Apollo should be first sub- mitted to his view : the statue was enclosed in a case , and when the keeper threw open the doors , West unconsciously exclaimed " My God - a young Mohawk ...
... master - pieces of art . It was agreed that the Apollo should be first sub- mitted to his view : the statue was enclosed in a case , and when the keeper threw open the doors , West unconsciously exclaimed " My God - a young Mohawk ...
Page 26
... masters , and acquired much useful knowledge in the trick of colour and composition , he had no wish to remain in Rome- his heart was with his native land . He , however , resolved to visit the Island of his fathers , and pre- pared for ...
... masters , and acquired much useful knowledge in the trick of colour and composition , he had no wish to remain in Rome- his heart was with his native land . He , however , resolved to visit the Island of his fathers , and pre- pared for ...
Page 40
... masters -- the Last Supper , the Crucifixion , and the Annunciation had been over and over again handled by artists higher in mental stature than West ; and in the competition he had nothing to hope , and every thing to fear . He was ...
... masters -- the Last Supper , the Crucifixion , and the Annunciation had been over and over again handled by artists higher in mental stature than West ; and in the competition he had nothing to hope , and every thing to fear . He was ...
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Common terms and phrases
admired Amelia Opie amongst appeared artist Barry Barry's beauty Bird Blake brethren Burke called character colours companion composition conceived copy Correggio death Domenichino drawing easel eminent engravings excellence exclaimed exhibited eyes fame fancy father feeling Felpham figures finished fortune friends Fuseli gallery genius GEORGE MORLAND grace grave guineas hand happy Hassell heard Henry Fuseli historical honour imagination JAMES BARRY kind King knew labour lady Lazar House letter lived London looked Lord Lord Grosvenor master merit Michael Angelo Milton mind Morland nature ness never Opie original painter painting patrons pencil person picture Pindar poet poetic poetry portrait praise Prince Hoare produced Quaker racter Raphael Rembrandt Reynolds Rome Royal Academy says scene seemed Shakespeare Sir Joshua sketches skill song spirit talents taste temper thing thought tion Titian Urizen verse visions West wife wild wish young
Popular passages
Page 142 - TIGER! Tiger! burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand dare seize the fire?
Page 181 - Thames' waters flow. O what a multitude they seem'd, these flowers of London town! Seated in companies they sit with radiance all their own. The hum of multitudes was there, but multitudes of lambs, Thousands of little boys and girls raising their innocent hands. Now like a mighty wind they raise to heaven the voice of song, Or like harmonious thunderings the seats of heaven among. Beneath them sit the aged men, wise guardians of the poor; Then cherish pity, lest you drive an angel from your door.
Page 181 - LAUGHING SONG. WHEN the green woods laugh with the voice of joy, And the dimpling stream runs laughing by ; When the air does laugh with our merry wit, And the green hill laughs with the noise of it ; When the meadows laugh with lively green, And the grasshopper laughs in the merry scene ; When Mary and Susan and Emily With their sweet round mouths sing •- Ha ha he...
Page 148 - Piping down the valleys wild, Piping songs of pleasant glee, On a cloud I saw a child, And he laughing said to me — Pipe a song about a lamb ; So I piped with' merry cheer. Piper, pipe that song again — So I piped — he wept to hear.
Page 142 - TO THE MUSES. WHETHER on Ida's shady brow Or in the chambers of the East, The chambers of the Sun, that now From ancient melody have ceased ; Whether in heaven ye wander fair Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth...
Page 36 - West has conquered ; he has treated his subject as it ought to be treated ; I retract my objections. I foresee that this picture will not only become one of the most popular, but will occasion a revolution in art.
Page 165 - What is it that builds a house and plants a garden, but the definite and determinate ? What is it that distinguishes honesty from knavery, but the hard and wirey line of rectitude and certainty in the actions and intentions ? Leave out this line, and you leave out life itself; all is chaos again, and the line of the almighty must be drawn out upon it before man or beast can exist.
Page 143 - What the hammer? What the chain? In what furnace was thy brain? What the anvil? What dread grasp Dare its deadly terrors clasp? When the stars threw down their spears, And water'd heaven with their tears, Did He smile His work to see? Did He who made the lamb make thee...
Page 213 - ... with all the modes of life. His character requires that he estimate the happiness and misery of every condition; observe the power of all the passions in all their combinations, and trace the changes of the human mind as they are modified by various institutions and accidental influences of climate or custom, from the sprightliness of infancy to the despondence of decrepitude.
Page 148 - WHEN my mother died I was very young, And my father sold me while yet my tongue Could scarcely cry " 'weep ! 'weep ! 'weep ! 'weep !" So your chimneys I sweep, and in soot I sleep.