Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 28Gale Research Company, 1984 |
From inside the book
Results 1-3 of 84
Page 140
... speech becomes grotesque . Again , the earlier declamation with the extravagant sun conceit ( 3.2 ) is poetry as dazzling as its guiding metaphor , but in Ri- chard's mouth it is preposterous . Or take again the speech " What must the ...
... speech becomes grotesque . Again , the earlier declamation with the extravagant sun conceit ( 3.2 ) is poetry as dazzling as its guiding metaphor , but in Ri- chard's mouth it is preposterous . Or take again the speech " What must the ...
Page 244
... speech of Othello . . . What Othello seems to me to be doing in making this speech is cheering himself up . . . I do not believe that any writer has ever exposed this bovarysme , the human will to see things as they are not , more ...
... speech of Othello . . . What Othello seems to me to be doing in making this speech is cheering himself up . . . I do not believe that any writer has ever exposed this bovarysme , the human will to see things as they are not , more ...
Page 398
... Speech Act theory will be invaluable in this analysis , although the essay will also isolate the limitations involved in the application of Speech Acts to the literary text . In view of these difficulties , I shall propose a new avenue ...
... Speech Act theory will be invaluable in this analysis , although the essay will also isolate the limitations involved in the application of Speech Acts to the literary text . In view of these difficulties , I shall propose a new avenue ...
Contents
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
25 other sections not shown
Common terms and phrases
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York