Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 28Gale Research Company, 1984 |
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Page 24
... Reading The Shrew from inside the text dissociates the reader both from recognizing how the material conditions of early modern England might be implicated in produc- ing its narrative and from any consciousness of the read- er's own ...
... Reading The Shrew from inside the text dissociates the reader both from recognizing how the material conditions of early modern England might be implicated in produc- ing its narrative and from any consciousness of the read- er's own ...
Page 110
... reading and treat- ing it as a conflict between stage - centered and text - cen- tered reading , and I then complicated the scheme by in- troducing a via media which I called the literary model of stage - centered reading ...
... reading and treat- ing it as a conflict between stage - centered and text - cen- tered reading , and I then complicated the scheme by in- troducing a via media which I called the literary model of stage - centered reading ...
Page 188
... reading may yet prove useful to various forms of social analysis while , simultaneously and paradoxically , suggesting a possible alternative to current interpretive modes . Specifically , close reading that investigates the formal ...
... reading may yet prove useful to various forms of social analysis while , simultaneously and paradoxically , suggesting a possible alternative to current interpretive modes . Specifically , close reading that investigates the formal ...
Contents
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York