Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 28Gale Research Company, 1984 |
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Page iv
... Production Director Deborah Milliken , Production Assistant Cynthia Baldwin , Product Design Manager Barbara J. Yarrow , Graphic Services Supervisor Todd Nessel , Macintosh Artist Willie F. Mathis , Camera Operator α Since this page ...
... Production Director Deborah Milliken , Production Assistant Cynthia Baldwin , Product Design Manager Barbara J. Yarrow , Graphic Services Supervisor Todd Nessel , Macintosh Artist Willie F. Mathis , Camera Operator α Since this page ...
Page 70
... production . " This is a per- suasive claim . For example , Shakespeare critics roughly correlate the " bourgeoisie " or " middle class " depicted in the play with those whom members of Renaissance soci- ety increasingly labeled the ...
... production . " This is a per- suasive claim . For example , Shakespeare critics roughly correlate the " bourgeoisie " or " middle class " depicted in the play with those whom members of Renaissance soci- ety increasingly labeled the ...
Page 247
... production first at The Other Place and then at the Young Vic , with the black opera singer Willard White as Othello , and Imogen Stubbs as a youthful and very force- ful Desdemona ; and as they were in an effective London fringe production ...
... production first at The Other Place and then at the Young Vic , with the black opera singer Willard White as Othello , and Imogen Stubbs as a youthful and very force- ful Desdemona ; and as they were in an effective London fringe production ...
Contents
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York