Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 28Gale Research Company, 1984 |
From inside the book
Results 1-3 of 52
Page 381
... Poet offers a further instance . Petrarch had celebrated dead poets in the Can- zoniere . ' Ronsard had interspersed his Amours with son- nets addressed to contemporary poets . Sidney only allud- ed to Petrarch's imitators and Pindar's ...
... Poet offers a further instance . Petrarch had celebrated dead poets in the Can- zoniere . ' Ronsard had interspersed his Amours with son- nets addressed to contemporary poets . Sidney only allud- ed to Petrarch's imitators and Pindar's ...
Page 386
... poet aims is hardly alone that of the stage player , the common actor . The " selfe " is at once poet and lover ; truth is fidelity to the inward and constancy in relationship . Stage - acting , poet- ry - writing and loving are three ...
... poet aims is hardly alone that of the stage player , the common actor . The " selfe " is at once poet and lover ; truth is fidelity to the inward and constancy in relationship . Stage - acting , poet- ry - writing and loving are three ...
Page 389
... poet , in or out of the Son- nets , can invent and has invented most things . The last line of Sonnet 112 works by precisely this self- referentiality , this modernity . At her most Henry - Jame- sian , Edith Wharton created a heroine ...
... poet , in or out of the Son- nets , can invent and has invented most things . The last line of Sonnet 112 works by precisely this self- referentiality , this modernity . At her most Henry - Jame- sian , Edith Wharton created a heroine ...
Contents
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
25 other sections not shown
Common terms and phrases
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York