Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 28Gale Research Company, 1984 |
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Page 63
... performance , two spectators seated a row or two behind me rose from their seats still applauding and , moved by the play's comic energy , launched into a cel- ebration of the skills of its author . At a pause in this chorus of praise ...
... performance , two spectators seated a row or two behind me rose from their seats still applauding and , moved by the play's comic energy , launched into a cel- ebration of the skills of its author . At a pause in this chorus of praise ...
Page 84
... performance of Rosalind , I con- sider the ways in which acting can effect a cure , or , to put it another way , the extent to which performance itself takes on performative power . Apotropaic signs or ges- tures and other ...
... performance of Rosalind , I con- sider the ways in which acting can effect a cure , or , to put it another way , the extent to which performance itself takes on performative power . Apotropaic signs or ges- tures and other ...
Page 87
... performance that can be apotropaic - is to remain both genders at once.18 Indeed , Rosalind / Ganymede is in many ways both , and she sports a male tongue in a female body . The many unaswerable questions and comments about identity ...
... performance that can be apotropaic - is to remain both genders at once.18 Indeed , Rosalind / Ganymede is in many ways both , and she sports a male tongue in a female body . The many unaswerable questions and comments about identity ...
Contents
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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