Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 28Gale Research Company, 1984 |
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Page 1
... letter he finds invites him to join the festive rituals of love - to disguise himself , to smile , and to become a wooer , on the expec- tation of ending the revelling with epithalamium and marriage . This model for human conduct - the ...
... letter he finds invites him to join the festive rituals of love - to disguise himself , to smile , and to become a wooer , on the expec- tation of ending the revelling with epithalamium and marriage . This model for human conduct - the ...
Page 234
... letter of 1584 to Mary Stuart shows James rejecting his mother's design for an association under which she and her ... letters ex- pressing his enthusiasm for the project was ' directed . . . with more special and secret commission than ...
... letter of 1584 to Mary Stuart shows James rejecting his mother's design for an association under which she and her ... letters ex- pressing his enthusiasm for the project was ' directed . . . with more special and secret commission than ...
Page 339
... letter . ' That letter brings her the sense and the spirit of the encounter with the Witches and gives Lady Macbeth some seven words of their vocabu- lary five that she repeats , commenting to herself — ' Caw- dor ' , ' shalt be ...
... letter . ' That letter brings her the sense and the spirit of the encounter with the Witches and gives Lady Macbeth some seven words of their vocabu- lary five that she repeats , commenting to herself — ' Caw- dor ' , ' shalt be ...
Contents
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York