Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 28Gale Research Company, 1984 |
From inside the book
Results 1-3 of 73
Page 123
... female ingredient of theatrical effectiveness . This hint has already been developed in the play's opening lines- by the Prologue , whose level of anxiety about whether the stage can evoke belief leads us to examine more closely the ...
... female ingredient of theatrical effectiveness . This hint has already been developed in the play's opening lines- by the Prologue , whose level of anxiety about whether the stage can evoke belief leads us to examine more closely the ...
Page 129
... female rule , it does succeed in erasing Elizabeth , first by shaping En- gland as an entirely male dominant body with France as its female victim , then by eliminating Katharine of France as Elizabeth's female forebear . Henry V ...
... female rule , it does succeed in erasing Elizabeth , first by shaping En- gland as an entirely male dominant body with France as its female victim , then by eliminating Katharine of France as Elizabeth's female forebear . Henry V ...
Page 367
... female so that once ungendered sperm , testicles , and stones are gendered male and differ- entiated from female eggs and ovaries . In short , a repro- ductive biology was constructed based on absolute rather than relative difference ...
... female so that once ungendered sperm , testicles , and stones are gendered male and differ- entiated from female eggs and ovaries . In short , a repro- ductive biology was constructed based on absolute rather than relative difference ...
Contents
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
25 other sections not shown
Common terms and phrases
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York