Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 28Gale Research Company, 1984 |
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Page 35
... early modern British historians . Ian W. Archer's comments are instructive . While acknowledging the important correctives that revisionist urban historians have offered to the so - called doom and gloom school of urban history , Archer ...
... early modern British historians . Ian W. Archer's comments are instructive . While acknowledging the important correctives that revisionist urban historians have offered to the so - called doom and gloom school of urban history , Archer ...
Page 223
... early feminisms , with their interest in recovering muted female voices , began : to questions of agency , of the ... early modern texts , but they cannot get us closer to the early modern self , except , as Stephen Greenblatt has sug ...
... early feminisms , with their interest in recovering muted female voices , began : to questions of agency , of the ... early modern texts , but they cannot get us closer to the early modern self , except , as Stephen Greenblatt has sug ...
Page 229
... early modern inscrip- tions of agency . Many of the scholars ( including the ed- itors ) who have contributed to the collection are special- ists in the Renaissance , and it seems all the more appro- priate , then , that Changing ...
... early modern inscrip- tions of agency . Many of the scholars ( including the ed- itors ) who have contributed to the collection are special- ists in the Renaissance , and it seems all the more appro- priate , then , that Changing ...
Contents
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York