Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 28Gale Research Company, 1984 |
From inside the book
Results 1-3 of 66
Page 173
... causes of the Old English “ alienation from us and appli- cation to the mere Irish " : Roman religion ( " The grand cause ... [ cause ] , though in a lower degree " ) ; marriage and fostering with the Irish ; " community of apparel " ; and ...
... causes of the Old English “ alienation from us and appli- cation to the mere Irish " : Roman religion ( " The grand cause ... [ cause ] , though in a lower degree " ) ; marriage and fostering with the Irish ; " community of apparel " ; and ...
Page 326
... cause that [ the festive spirit ] is in other men . " As the audience is gradually infected by him and nurtures an ... causes the audience to share the mental landscape within the hero , and drives them to take in the entire subsequent ...
... cause that [ the festive spirit ] is in other men . " As the audience is gradually infected by him and nurtures an ... causes the audience to share the mental landscape within the hero , and drives them to take in the entire subsequent ...
Page 327
... cause for the romantic exaltation felt instead of realistic criticism on the part of the audience must be sought , not in the intention of the actor or the director , but in the peculiar psychodynam- ics of audience response in this ...
... cause for the romantic exaltation felt instead of realistic criticism on the part of the audience must be sought , not in the intention of the actor or the director , but in the peculiar psychodynam- ics of audience response in this ...
Contents
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
25 other sections not shown
Common terms and phrases
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York