Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 28Gale Research Company, 1984 |
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Page 54
... called Ruinosa Respublica and the second , Respublica bene iustituta . After seeing this tab- leau , Elizabeth received the Bible in English , being as- sured that she could avoid the barrenness of the one hill by taking the book . " 47 ...
... called Ruinosa Respublica and the second , Respublica bene iustituta . After seeing this tab- leau , Elizabeth received the Bible in English , being as- sured that she could avoid the barrenness of the one hill by taking the book . " 47 ...
Page 162
... called " Old English , " was construed as profoundly threatening to the deeply entrenched notions of " native [ inherent ] virtue " on which the idea of the nation in large part depended . To the sixteenth - century colonists ( the so ...
... called " Old English , " was construed as profoundly threatening to the deeply entrenched notions of " native [ inherent ] virtue " on which the idea of the nation in large part depended . To the sixteenth - century colonists ( the so ...
Page 164
... called " the mate of Empire , " was the essential instrument of political unity . The Castilian tongue had already served to " [ gather and join ] the scat- tered bits and pieces of Spain . . . into one single king- dom " ; and his own ...
... called " the mate of Empire , " was the essential instrument of political unity . The Castilian tongue had already served to " [ gather and join ] the scat- tered bits and pieces of Spain . . . into one single king- dom " ; and his own ...
Contents
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York