Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 28Gale Research Company, 1984 |
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Page 160
... body politic in principle separable from the body of the monarch - the idea of the nation , that is , as a " com- monwealth " with an essential and permanent existence distinct from the king's estate and determined by some- thing other ...
... body politic in principle separable from the body of the monarch - the idea of the nation , that is , as a " com- monwealth " with an essential and permanent existence distinct from the king's estate and determined by some- thing other ...
Page 313
... bodies of the queen go a progress , if not through the guts of a beggar then through the visceral responses of those slightly better off , who could afford the price of admission to experience , in the popular theater , the very age and ...
... bodies of the queen go a progress , if not through the guts of a beggar then through the visceral responses of those slightly better off , who could afford the price of admission to experience , in the popular theater , the very age and ...
Page 314
... body of the monarch with the ageless aura of the body politic , which , as Marie Axton notes , " was supposed to be con- tained within the natural body of the Queen . " 30 Eliza- beth's attempt to reinvest her final years with the ...
... body of the monarch with the ageless aura of the body politic , which , as Marie Axton notes , " was supposed to be con- tained within the natural body of the Queen . " 30 Eliza- beth's attempt to reinvest her final years with the ...
Contents
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York