Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 28Gale Research Company, 1984 |
From inside the book
Results 1-3 of 72
Page 2
... begins with a clear warning - ' If this fall into thy hand , revolve ' - and immediately passes to an apparently clear statement - ' In my stars I am above thee ' - followed by a fugal development on the theme of greatness , which ...
... begins with a clear warning - ' If this fall into thy hand , revolve ' - and immediately passes to an apparently clear statement - ' In my stars I am above thee ' - followed by a fugal development on the theme of greatness , which ...
Page 24
... begin at the end , the site where happily - ever- after presumably begins and , in this play , the site / sight where the play produces its theatrical tour de force by offering up a prostrated woman's body to the eye — and the boot of ...
... begin at the end , the site where happily - ever- after presumably begins and , in this play , the site / sight where the play produces its theatrical tour de force by offering up a prostrated woman's body to the eye — and the boot of ...
Page 408
... begin to match the subtle music of a passion which , as it begins , ends ( and so has no end ) in the io . Poem 132 is no more than typical in its parallelism , its painful stalling at ' If ? . . . If ? . . . If ? ' Anaphora is char ...
... begin to match the subtle music of a passion which , as it begins , ends ( and so has no end ) in the io . Poem 132 is no more than typical in its parallelism , its painful stalling at ' If ? . . . If ? . . . If ? ' Anaphora is char ...
Contents
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
25 other sections not shown
Common terms and phrases
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York