Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 28Gale Research Company, 1984 |
From inside the book
Results 1-3 of 83
Page 210
... attempt to foment popular rebel- lion a timely enough project in 1596-1597 , although only five years later the Earl of Essex himself attempted to foment " popular " rebellion . Satire of Oldcastle becomes both permissible and effective ...
... attempt to foment popular rebel- lion a timely enough project in 1596-1597 , although only five years later the Earl of Essex himself attempted to foment " popular " rebellion . Satire of Oldcastle becomes both permissible and effective ...
Page 349
... attempts at affirmation , to be Shakes- peare's final statement about the relative power of love and anger , speech and silence . For even the play's one remaining attempt to articulate the power of love , Othel- lo's death speech ...
... attempts at affirmation , to be Shakes- peare's final statement about the relative power of love and anger , speech and silence . For even the play's one remaining attempt to articulate the power of love , Othel- lo's death speech ...
Page 403
... attempt to poison her stepdaughter is a pro- foundly treacherous act . Only the play's oaths , perhaps , do not strike the audience as utterances which result in an ambiguous effect . Never- theless , this very lack of ensuing ambiguity ...
... attempt to poison her stepdaughter is a pro- foundly treacherous act . Only the play's oaths , perhaps , do not strike the audience as utterances which result in an ambiguous effect . Never- theless , this very lack of ensuing ambiguity ...
Contents
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
25 other sections not shown
Common terms and phrases
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York