Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 28Gale Research Company, 1984 |
From inside the book
Results 1-3 of 4
Page 184
... Wolsey , Queen Katherine and Anne Bullen , but extending to Sir Thomas More , Arch- bishop Cranmer , Thomas Cromwell and a host of a scarcely less significant historical personalities . We cast our Pro- logue as a Court Lady , to match ...
... Wolsey , Queen Katherine and Anne Bullen , but extending to Sir Thomas More , Arch- bishop Cranmer , Thomas Cromwell and a host of a scarcely less significant historical personalities . We cast our Pro- logue as a Court Lady , to match ...
Page 185
... Wolsey , and Katherine achieve in their falls from power is a rueful reconciliation with fate . All that Buckingham can manage on his way to execution is : The law I bear no malice for my death ; ' T has done , upon the premises , but ...
... Wolsey , and Katherine achieve in their falls from power is a rueful reconciliation with fate . All that Buckingham can manage on his way to execution is : The law I bear no malice for my death ; ' T has done , upon the premises , but ...
Page 186
... Wolsey's ball . At Berkeley we stressed this trait through her self - betraying bandying of low sexual innu- endos with the senile sensualist Lord Sands ( I.iv.1-50 ) . Such realistic scenes are full of dry wit , but they also carry ...
... Wolsey's ball . At Berkeley we stressed this trait through her self - betraying bandying of low sexual innu- endos with the senile sensualist Lord Sands ( I.iv.1-50 ) . Such realistic scenes are full of dry wit , but they also carry ...
Contents
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
25 other sections not shown
Common terms and phrases
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York