Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 28Gale Research Company, 1984 |
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Page 269
... Sebastian thinks he sees ' a living drollery ' ( 3.3.21 , my italics ) , and Antonio and Gonzalo believe they have just been presented with living proof of travellers ' tales . Realism is again under- lined when Prospero having just ...
... Sebastian thinks he sees ' a living drollery ' ( 3.3.21 , my italics ) , and Antonio and Gonzalo believe they have just been presented with living proof of travellers ' tales . Realism is again under- lined when Prospero having just ...
Page 417
... Sebastian and Antonio are harsh , insolent , and uncharitable - everything that they themselves accuse the Boatswain of being . Gonzalo , on the other hand , is good - humoured , tolerant , and humane . In the face of increasing ...
... Sebastian and Antonio are harsh , insolent , and uncharitable - everything that they themselves accuse the Boatswain of being . Gonzalo , on the other hand , is good - humoured , tolerant , and humane . In the face of increasing ...
Page 418
... Sebastian - this play's Rosencrantz and Guildenstern , or Tweedledum and Tweedledee - by juxtaposing the ideal- ism of the former with the cynicism of the latter . Dramatizing Moral Contrasts These are the tips of the icebergs of their ...
... Sebastian - this play's Rosencrantz and Guildenstern , or Tweedledum and Tweedledee - by juxtaposing the ideal- ism of the former with the cynicism of the latter . Dramatizing Moral Contrasts These are the tips of the icebergs of their ...
Contents
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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