Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 28Gale Research Company, 1984 |
From inside the book
Results 1-3 of 20
Page 141
... Holinshed.40 It is remark- able , in fact , how much history Shakespeare left out of his play . There is no mention of Bolingbroke's earlier role as one of the Lords Appellant who had dominated Richard for a decade , that it was ...
... Holinshed.40 It is remark- able , in fact , how much history Shakespeare left out of his play . There is no mention of Bolingbroke's earlier role as one of the Lords Appellant who had dominated Richard for a decade , that it was ...
Page 144
... Holinshed , Chronicles of England , Scotland and Ireland [ 1586 ] ( Lon- don , 1807 ) , vol . 2 , pp . 868-69 . 41 ... Holinshed's view , or rather that of his editor Abraham Fleming : " But in this deiecting of the one , & aduancing of ...
... Holinshed , Chronicles of England , Scotland and Ireland [ 1586 ] ( Lon- don , 1807 ) , vol . 2 , pp . 868-69 . 41 ... Holinshed's view , or rather that of his editor Abraham Fleming : " But in this deiecting of the one , & aduancing of ...
Page 211
... Holinshed's account of the 1381 Peasant's Revolt . The preacher John Ball , as Tho- mas Walsingham , Jean Froissart , and Holinshed all in- form us , used the Bible to argue that all were " created alike , " as Holinshed put it , and ...
... Holinshed's account of the 1381 Peasant's Revolt . The preacher John Ball , as Tho- mas Walsingham , Jean Froissart , and Holinshed all in- form us , used the Bible to argue that all were " created alike , " as Holinshed put it , and ...
Contents
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
25 other sections not shown
Common terms and phrases
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York