Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 28Gale Research Company, 1984 |
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Page 55
... gentlemen here seem to be ladies and the ladies gentlemen . The reference is partic- ularly interesting as evidence of the play's being per- formed in the public theatre probably some time in 1603 , so that the Epilogue would have been ...
... gentlemen here seem to be ladies and the ladies gentlemen . The reference is partic- ularly interesting as evidence of the play's being per- formed in the public theatre probably some time in 1603 , so that the Epilogue would have been ...
Page 76
... gentlemen . " When Shal- low attempts to make sense of the justice's dual alliance to the central government and to his local community , he defines the local community from which he derives his status not as the town of Windsor but as ...
... gentlemen . " When Shal- low attempts to make sense of the justice's dual alliance to the central government and to his local community , he defines the local community from which he derives his status not as the town of Windsor but as ...
Page 78
... gentlemen " to the crown's economic policies and their ability to secure town monopoly over trade and industry is predicated upon a network of in- sults that helps to obscure both the town gentlemen's varying relations to absolutism and ...
... gentlemen " to the crown's economic policies and their ability to secure town monopoly over trade and industry is predicated upon a network of in- sults that helps to obscure both the town gentlemen's varying relations to absolutism and ...
Contents
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York