Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 23Gale Research Company, 1984 - 464 pages |
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Page 97
... suggest his female role , he is completely nonerotic . He approaches Mr. Williams's ideal of “ spiritual purity ... suggested the cast had struck the right tone of nimbly balanced mockery and lyricism , most of London's critics were ...
... suggest his female role , he is completely nonerotic . He approaches Mr. Williams's ideal of “ spiritual purity ... suggested the cast had struck the right tone of nimbly balanced mockery and lyricism , most of London's critics were ...
Page 116
... suggested the reality of ' shrewd days and nights ' in Arden , the music by contrast suggested an artificial idyll , and the shepherds were eighteenth - century figures with crooks . There was similar contradiction throughout : Duke ...
... suggested the reality of ' shrewd days and nights ' in Arden , the music by contrast suggested an artificial idyll , and the shepherds were eighteenth - century figures with crooks . There was similar contradiction throughout : Duke ...
Page 144
... suggested that we were at the circus rather than the theatre , observing a spectacle which had more to do with fantasy than mime- sis . At the beginning of act 2 , the reasons for such preparation became clear . Duke Frederick ( with ...
... suggested that we were at the circus rather than the theatre , observing a spectacle which had more to do with fantasy than mime- sis . At the beginning of act 2 , the reasons for such preparation became clear . Duke Frederick ( with ...
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acting actors actress Adrian Noble Angelo appeared April Armado audience Barton beauty Benedick Berowne cast Celia character Charles charm Claudio comedy comic Costard costumes court critic David delight director disguise dramatic dress Drury Lane duction Duke Duke's effect Elizabethan emotional Escalus essay date feeling Festival Forest of Arden friar Ganymede Helen Faucit Holofernes Ian Richardson interpretation Isabella Jaques John Juliet ladies lines London look Love's Labour's Lost lovers Lucio Macready mance Mariana Measure for Measure ment Michael Miss Faucit modern Modjeska moral never Old Vic Orlando passion performance Peter Brook play's players Poel Poel's Pompey praise present Princess prison production Rehan review date revival Richard role Rosalind Royal Shakespeare Company scene seemed sense sexual Shake Shakespeare's plays speare's speech stage Stratford Stratford-upon-Avon suggested sure Theatre theatrical tion Touchstone Twelfth Night Vienna Vincentio William William Poel woman words young