Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 23Gale Research Company, 1984 - 464 pages |
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Page 154
... Scene 1 is split in two , and it was fairly common practice to run the last two scenes together ; but these alterations , if they really are alterations from the author's point of view , do no violence to his plan . The hapless Charles ...
... Scene 1 is split in two , and it was fairly common practice to run the last two scenes together ; but these alterations , if they really are alterations from the author's point of view , do no violence to his plan . The hapless Charles ...
Page 277
... Scene iii is the first outside the palace ; this is a version of the expository scene at the prison between the disguised Duke and Friar Thomas ( M. for M. , I , iv ; L. against L. , I ) . This is telescoped with the interview with ...
... Scene iii is the first outside the palace ; this is a version of the expository scene at the prison between the disguised Duke and Friar Thomas ( M. for M. , I , iv ; L. against L. , I ) . This is telescoped with the interview with ...
Page 451
... scene ( Act V , Scene iii ) 9 : 19 , 26 , 53 , 65 , 100 , 117 , 125 , 130 , 157 , 164 , 183 characterization 9 : 9 , 11 , 12 , 15 , 78 , 84 , 130 , 148 , 193 ; 19 : 287 Cominius's tribute or encomium ( II . ii . 82- 129 ) 9 : 80 , 100 ...
... scene ( Act V , Scene iii ) 9 : 19 , 26 , 53 , 65 , 100 , 117 , 125 , 130 , 157 , 164 , 183 characterization 9 : 9 , 11 , 12 , 15 , 78 , 84 , 130 , 148 , 193 ; 19 : 287 Cominius's tribute or encomium ( II . ii . 82- 129 ) 9 : 80 , 100 ...
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acting actors actress Adrian Noble Angelo appeared April Armado audience Barton beauty Benedick Berowne cast Celia character Charles charm Claudio comedy comic Costard costumes court critic David delight director disguise dramatic dress Drury Lane duction Duke Duke's effect Elizabethan emotional Escalus essay date feeling Festival Forest of Arden friar Ganymede Helen Faucit Holofernes Ian Richardson interpretation Isabella Jaques John Juliet ladies lines London look Love's Labour's Lost lovers Lucio Macready mance Mariana Measure for Measure ment Michael Miss Faucit modern Modjeska moral never Old Vic Orlando passion performance Peter Brook play's players Poel Poel's Pompey praise present Princess prison production Rehan review date revival Richard role Rosalind Royal Shakespeare Company scene seemed sense sexual Shake Shakespeare's plays speare's speech stage Stratford Stratford-upon-Avon suggested sure Theatre theatrical tion Touchstone Twelfth Night Vienna Vincentio William William Poel woman words young