Ireland's Others: Ethnicity and Gender in Irish Literature and Popular Culture |
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Page 21
... opening lines of the first stanza and the whole of the second and third were his own , and have subsequently become the authorized version : O Paddy dear , and did you hear the news that's going round ? The shamrock is forbid by law to ...
... opening lines of the first stanza and the whole of the second and third were his own , and have subsequently become the authorized version : O Paddy dear , and did you hear the news that's going round ? The shamrock is forbid by law to ...
Page 44
... opening section of Ulysses is not to bond with an Irish man or woman , but to disrupt the homosocial relationship between Stephen , who refuses to flatter his preconceptions by playing ' wild Irish ' , and Mulligan , the ' gay betrayer ...
... opening section of Ulysses is not to bond with an Irish man or woman , but to disrupt the homosocial relationship between Stephen , who refuses to flatter his preconceptions by playing ' wild Irish ' , and Mulligan , the ' gay betrayer ...
Page 201
... opening of Ford's film thus challenges the opening line of Yeats's poem ; but like the poem and its namesake the ferryboat , Ford's film also deploys the myth of reverse emigration , of coming home to Ireland . The ' quiet , peace ...
... opening of Ford's film thus challenges the opening line of Yeats's poem ; but like the poem and its namesake the ferryboat , Ford's film also deploys the myth of reverse emigration , of coming home to Ireland . The ' quiet , peace ...
Contents
and the Politics of Empathy | 13 |
Anticolonial Metaphors | 99 |
Language and Race in Joyce and his Successors | 132 |
Copyright | |
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Alec analogy audience Boucicault Brian Friel British Broadbent Carthage Carthaginians Catholic Celtic character Civil claim Claire colonial contemporary cowboy dead Derry Dido Dion Boucicault Dolly drama Dublin Durcan Eamon de Valera England ethnic father feminine feminist Fenian Fergus Fianna Fáil film Ford's Francie Frank McGuinness Friel gender girl Goretti Harkin Heaney Heaney's hero homosocial Hush-a-Bye Baby identity imperial Indian Ireland Irish Irishman island Jody John Jordan Joyce Joyce's Kathleen Kiberd land language Lexis-Nexis London male Mary McGuinness McGuinness's melodrama metaphor Michael Collins Molineux mother movie nationalist Native Americans Neil Jordan North origin Phoenician play poem poet poetry political popular culture postcolonial Press Protestant Republican Roman scene Scythians Seamus Seamus Deane Seamus Heaney sexual Shaun Sheridan Sinéad O'Connor soldier stage English stage Englishman stereotype story suggests symbolic tion tradition Troy Ulysses Valera villain Virgin West woman women writing Yeats Yeats's Yolland