The Works of Samuel Johnson, LL. D.G. Walker, 1820 - English literature |
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Page 138
... Euripides . His Euripides is , by Mr Cradock's kindness , now in my hands : the margin is sometimes noted ; but I have found no- thing remarkable . Of the English poets be set more value upon Spenser , Shakepeare , and Cowley . Spenser ...
... Euripides . His Euripides is , by Mr Cradock's kindness , now in my hands : the margin is sometimes noted ; but I have found no- thing remarkable . Of the English poets be set more value upon Spenser , Shakepeare , and Cowley . Spenser ...
Page 141
... Euripides , by having often read them . Yet here incredulity is ready to make a stand . Many repetitions are necessary to fix in the memory lines not understood . And why should Milton wish or want to hear them so often ? These lines ...
... Euripides , by having often read them . Yet here incredulity is ready to make a stand . Many repetitions are necessary to fix in the memory lines not understood . And why should Milton wish or want to hear them so often ? These lines ...
Page 166
... and in the Alcestes of Euripides , we see death , brought upon the stage , all as active persons of the drama ; but no precedents can justify absurdity . w Milton's allegory of sin and death is undoubtedly faulty 166 MILTON .
... and in the Alcestes of Euripides , we see death , brought upon the stage , all as active persons of the drama ; but no precedents can justify absurdity . w Milton's allegory of sin and death is undoubtedly faulty 166 MILTON .
Page 435
... Euripides ' example ; " but joy may be raised too , and that doubly , either by seeing a wicked man punished , or a good man " at last fortunate : or perhaps indignation , to see " wickedness prosperous , and goodness depressed : " Both ...
... Euripides ' example ; " but joy may be raised too , and that doubly , either by seeing a wicked man punished , or a good man " at last fortunate : or perhaps indignation , to see " wickedness prosperous , and goodness depressed : " Both ...
Page 436
... , or the greatest part of them , we 66 are inferior to Sophocles and Euripides ; and this " he has offered at , in some measure ; but , I think , " a little partially to the ancients . " For the fable itself , ' tis in the 436 DRYDEN .
... , or the greatest part of them , we 66 are inferior to Sophocles and Euripides ; and this " he has offered at , in some measure ; but , I think , " a little partially to the ancients . " For the fable itself , ' tis in the 436 DRYDEN .
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Absalom and Achitophel admired Æneid afterwards ancients appears beauties better blank verse called censure character Charles Charles Dryden composition considered Cowley criticism death defend delight diction dramatic Dryden duke earl elegance English English poetry Euripides excellence fancy faults favour friends genius Georgics heaven heroic honour hope Hudibras images imagination imitation Jacob Tonson John Dryden Juvenal kind king known labour lady language Latin learning lines Lord Lord Roscommon Milton mind nature never NIHIL numbers opinion Paradise Lost Paradise Regained parliament passions perhaps perusal Philips Pindar play pleasing pleasure poem poet poetical poetry pounds praise preface produced published racters reader reason relates remarks reputation rhyme satire says seems sent sentiments shew sometimes Sprat style supposed thee thing thou thought tion tragedy translation truth verses versification Virgil virtue Waller words write written wrote
Popular passages
Page 145 - We drove a-field, and both together heard What time the gray-fly winds her sultry horn, Battening our flocks with the fresh dews of night, Oft till the star that rose at evening bright Toward heaven's descent had sloped his westering wheel.
Page 18 - Wit, abstracted from its effects upon the hearer, may be more rigorously and philosophically considered as a kind of discordia concors; a combination of dissimilar images, or discovery of occult resemblances in things apparently unlike.
Page 35 - To move, but doth if th' other do. And though it in the center sit, Yet when the .other far doth roam, It leans and hearkens after it, And grows erect as that comes home. Such wilt thou be to me, who must, Like th' other foot, obliquely run: Thy firmness makes my circle just, And makes me end where I begun.
Page 206 - At the moment in which he expired, he uttered, with an energy of voice, that expressed the most fervent devotion, two lines of his own version of Dies Ira; : My God, my father, and my friend, Do not forsake me in my end.
Page 144 - It is not to be considered as the effusion of real passion ; for passion runs not after remote allusions and obscure opinions. Passion plucks no berries from the myrtle and ivy, nor calls upon Arethuse and Mincius, nor tells of rough satyrs and fauns with cloven heel.
Page 130 - Fancy can hardly forbear to conjecture with what temper Milton surveyed the silent progress of his work, and marked his reputation stealing its way in a kind of subterraneous current through fear and silence. I cannot but conceive him calm and confident, little disappointed, not at all dejected, relying on his own merit with steady consciousness, and waiting, without impatience, the vicissitudes of opinion, and the impartiality of a future generation.
Page 404 - Harmony, This universal Frame began; When Nature underneath a heap Of jarring Atoms lay, And could not heave her head The tuneful Voice was heard from high, Arise, ye more than dead.
Page 145 - Among the flocks and copses and flowers appear the heathen deities, Jove and Phoebus, Neptune and jEolus, with a long train of mythological imagery, such as a college easily supplies. Nothing can less display knowledge, or less exercise invention, than to tell how a shepherd has lost his companion, and must now feed his flocks alone, without any judge of his skill in piping ; and how one god asks another god what has become of Lycidas, and how neither god can. tell. He who thus grieves will excite...
Page 158 - He seems to have been well acquainted with his own genius, and to know what it was that Nature had bestowed upon him more bountifully than upon others - the power of displaying the vast, illuminating the splendid, enforcing the awful, darkening the gloomy, and aggravating the dreadful...
Page 94 - I had taken two degrees, as the manner is, signified many ways how much better it would content them that I would stay ; as by many letters full of kindness and loving respect, both before that time and long after, I was assured of their singular good affection towards me.