Shakespearean CriticismPresents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 169
much more than here , there is scarcely any hint of Shakespeare , unless it be a passage in the coronation scene ( IV.i ) : becomes unlike Fletcher ( and a few such passages will obviously dislocate the metrical statistics of a scene ...
much more than here , there is scarcely any hint of Shakespeare , unless it be a passage in the coronation scene ( IV.i ) : becomes unlike Fletcher ( and a few such passages will obviously dislocate the metrical statistics of a scene ...
Page 273
Combining the agents of wind and sea in his metaphor , Philip ( Act III , scene 4 ) implies that Fortune is still with John : pure Honour as an impracticable moral guide . The nobles , on the other hand , have survived and even ...
Combining the agents of wind and sea in his metaphor , Philip ( Act III , scene 4 ) implies that Fortune is still with John : pure Honour as an impracticable moral guide . The nobles , on the other hand , have survived and even ...
Page 313
I only know that , because they are distributed throughout the scene ( at lines 2 , 50 , 63 , and 86 of Alexander's edition ) they provide better evidence for regarding that scene as wholly Fletcher's than do the 4 ye's of the following ...
I only know that , because they are distributed throughout the scene ( at lines 2 , 50 , 63 , and 86 of Alexander's edition ) they provide better evidence for regarding that scene as wholly Fletcher's than do the 4 ye's of the following ...
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accepted action Anne appears Arcite argues Arthur associated authorship Bacon Bastard becomes believe called character claim course court critics Daughter death dramatic earlier early edition Elegy Elizabethan Emilia England English essay evidence example fact fall figure final Fletcher friendship give hand Henry VIII Holinshed honour Hubert images Italy John's Katherine King John language later least less lines live London Lord marriage means moral nature never Noble Kinsmen noted once Oxford Palamon Peter play play's poem poet political present Press Queen question Raigne reason reference remains rhetoric Richard romance says scene seems sense Shake Shakespeare shows speak speare speech stage Stratford Studies suggests Theseus Thomas tion true turn University Wolsey writing written wrote