Shakespearean CriticismMichelle Lee Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 11
... truth displeases Lear be- cause its expression does not verbally conform to what he thinks due him , Kent's - that Lear is mad , foolish , rash , evildoing - offends him in words and meaning alike . Yet this is nothing to the truths he ...
... truth displeases Lear be- cause its expression does not verbally conform to what he thinks due him , Kent's - that Lear is mad , foolish , rash , evildoing - offends him in words and meaning alike . Yet this is nothing to the truths he ...
Page 14
... truth , which is the job of history or the sciences . Nor does he mean to communicate moral truths , which is the ... truth and believes falsehood , and because Gloucester believes a lying poesy devised to deceive him , they are turned ...
... truth , which is the job of history or the sciences . Nor does he mean to communicate moral truths , which is the ... truth and believes falsehood , and because Gloucester believes a lying poesy devised to deceive him , they are turned ...
Page 85
... truth and malice : the truth is told , but presumably with a little warping by malice , when it is Roman truth . Octavia chides Caesar for precisely such warping : Caes . That ever I should call thee castaway ! Oct. You have not call'd ...
... truth and malice : the truth is told , but presumably with a little warping by malice , when it is Roman truth . Octavia chides Caesar for precisely such warping : Caes . That ever I should call thee castaway ! Oct. You have not call'd ...
Contents
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Copyright | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York